ENGLISH ELECTRIC: FULL POWER

Hot on the heels of the excellent "English Electric, Part 2", Big Big Train has released an interesting boxset. This set includes the masterpiece "English Electric, Part 1", the strong but not quite as good "English Electric, Part 2", and four new songs, "Make Some Noise", "Seen Better Days", "Edgelands", and "The Lovers".

I gave 5 stars and 4 stars to Part 1 and 2 respectively, and so this set becomes a 4.5 star set automatically. It is interesting, however, that BBT has reordered the track list to accommodate the new songs, and so this is a little disconcerting at first. Yet, the music is still amazing, and I like that they inserted the new songs, rather than just throwing them on the end of the album. The question then becomes "Are the new songs any good"? The answer is, of course, "Yes".

"Make Some Noise" leads off the set as a more pop oriented tune. It certainly has a catchy chorus, but it also has an awesome flute solo near the end that is worth the wait. It's no 5 star song, but it's still strong. Next, "Seen Better Days" is a nice tune that is very standard BBT. It is melodic, has great vocal harmonies, and has that great nostalgic feeling. "Edgelands" is a gorgeous, short piano track that hints at some of the more familiar melodies from "Part 1". It is the first new track that is 5-star for me. It's simply peaceful and beauteous. Lastly, then, "The Lovers" is the strongest of the new tracks. This 5-star masterwork utilizes neo-prog synth at points, and has a skillful, brilliant instrumental section in the 3rd quarter. This song instantly felt right.

So, with two incredible albums, two masterpiece tracks, and two strong tracks; this boxset is indeed somewhat of a new experience and is deserving of 5 stars overall. I'm rather impressed with BBT over the last couple years, and it will be interesting to see if they can keep up this level of quality in the near future.

A really great idea to put in one album the two volumes of "English Electric". And the new songs fit in very well. "Make Some Noise" is a great pop-song, with vocals on the front. When I listened to the first volume I was amazed, I couldn't stop listening to it, there's something magical with it. The voice of Mr. Longdon? The vibrant rhythm section? The brass arrangements? The delicate flute lines? The string arrangements? The melancholic melodies? The backing vocals? Or perhaps the incredible guitars of Dave "Duke" Gregory? ALL of it... In general terms, the second volume (4,5 would be a proper rate) is not as excellent as the first one (5, without a doubt). But the Big Big Question is: how is this band going to surpass the BEAUTY of the first volume? But now, when you listen to the volumes together, with the new songs, everything falls into place. Make you a favor: stop reading this review and buy this fantastic double album (it comes with a 96 page booklet). The best of 2013? More than this: one of the best records made in the 21st Century so far...

A Compilation of all the individual masterpieces from the incredible 2 part album series called "English Electric": "Part I" and "Part II". All 15 songs from both albums included.

Also includes 4 new songs, one of which ( Make Some Noise ) is a massive disappointment. Still, I eventually 5'd both English Electric albums so this one is a no brainer.

The alternate track listing mixed in with the new songs might even draw in some new fans.

Song Highlights include - Judas Unrepentant, East Coast Racer, The First Rebreather, Keeper of Abbey's and a lot more!

The new singer they found is perfect for this band as well. A very talented vocalist.

This is musical, artistic, emotional and thematic perfection! It's very rare to have in my hands an album that I can't say anything negative about. This is such an album! It's flawless from beginning to end really. The opener Make Some Noise serves as an overture for the beautiful suite of songs which then unfolds. Yes, they are all wellknown songs from English Electric parts 1 and 2 but have a slightly different running order and some of the songs are segueing into the next in the most breathtaking way (The Edgeland Sequence for instance, also available from the bands Soundcloud-site). The new numbers fit in perfectly within the theme the songs are woven around. The booklet is crammed with gorgeous pictures by Willem Klopper and Matthew Sefton, all the lyrics of course and then the stories behind the songs. David Longdon and Greg Spawton published the stories in their respective blogs at the time of the releases of the single albums and they are a rewarding read for everyone interested in finding out what inspiration is all about. True art for everybody!! I love this band from the depth of my heart!

Usually I find myself offended by bands releasing box sets of previously presented material for the sake of the almighty buck. However, in this case I find myself elated with "Full Power", as its not just a rerelease but a different engine. If you have ever watched the Godfather Parts 1 & 2, and then watched the Godfather Saga you will know what I mean. Not only adding the 4 new tracks, but reordering them to make sense of the new material has added value rather than repacked 2 excellent albums. The sum of the parts is greater than the 2 wholes.

Well done boys, well done

4.6 stars

At long last I got around to actually listen to these much raved about albums. Their English Electric albums being, as far as reviews go, brilliant pieces of music. Intrigued but somewhat sceptic I listened casually in short stabs, not really focusing on what actually went on in there.

I suppose I at first felt a bit reluctant due to what I perceived as a tad too poppy approach. No, there is nothing wrong with a bit of pop in prog. On the contrary, actually. However humble and receptive I proclaim myself to be, I did think, at first, that pop was the overall dominating style of music and that was not to my liking. But then I had barely listened.

This box contains the two full albums of English Electric, as you probably know already. The full body of the work plus a newly recorded song, "Make some noise". As many have stated already, that song is not their greatest work. It certainly isn't a favorite of mine, I can tell you. From a pure art perspective the box is beautifully made. It's black cover with the rusty emblem on the front is magnificent. The box is constructed as a book, containing details about the recordings, lyrics and the history behind it all. It is, for sure, a beautiful box and packed with amazing photos and stories. Really stunning.

The music, then? The packaging is all very well but what about the music? That is all that matters in the end, no matter how well you package it. Forget what I wrote about this being pop. I mean, it is. In some respects, but it is pure prog. Big Big Train possess a pop sensibility that matches anything the big bands of the 70's and 80's could muster. Genesis, Yes, Marillion... They all had that feeling for writing complex yet (at times) accessible and melodic pieces of music within the framework of prog. That is exactly what BBT does. And in a glorious way, at that. Now, after really having listened to the music, I can tell you it wasn't all love love at first (aural) sight. It came to me, after a while.

The first track I really came to grips with was "East coast racer", the longest epic of the entire duo of English electric. It is a fantastic work of art, the entire 15.45 minutes of it's duration. I really came to terms with the whole album by way of examining the second part of the saga that is English electric. "Worked out" is brilliant, as is "The lovers" with it's stabs of electric piano (played JUST the right way, the way that makes me shiver), the wonderfully melodic "Leopards" and so on. The songs unfolded before my eyes, revealing a kingdom and a plethora of moods and progressive brilliance. After this brekthrough, which came rather quickly I must add, my defences were dismantled and all of my soul lay bare for the invasion of BBT:s exquisite brand of music. Influences ranges from The Kinks, by way of Genesis and the 70's style of prog into the 80's and combines folk, prog, pop into a sense of timelessness that is overpowering and thrilling. (There is even traces of The Byrds in the song "Hedgerow".)

This box, containing the two parts of English electric, is, I think, quite the essential part of any prog collection, if you are into melodic, utterly british (an essential part of their music and a part I love more than anything) and carefully constructed music. It is so well conceived throughout and full of great harmonies, musical intricacy and grandeur, really, that it is hard to not being, at least, smitten by it's honesty and sincerity. I feel overwhelmed and actually very grateful to BBT for putting so much love and energy into this project, allowing me to submerge myself into genial music as this.

In conclusion, this is a brilliant collection of two of the most brilliant pieces of prog made in contemporary times. Maybe not breaking new ground (then again, not many do) but they claim a musical territory that is genuine and personal. A claim of musical territory named Big Big Train, where their own brand of prog ecology is flourishing and reaching for the heavens. I better stop now, before growing all soppy on you all.

Just a last word, give the music a serious listen. Really, do. I implore you.

Both parts of the English Electric Saga were masterpieces of prog. Combining just the right amounts of classical and modern eclectic prog. This combined work is a mammoth of an album that is absolutely essential in every collection of discerning music lovers, let alone prog enthusiasts. Musicianship is impeccable throughout but it's the songwriting that always occupies center stage. You simply feel not a note is wasted, that every choice made was according to the needs of the songs. Listen to it and prepare to be astonished. To me this is the most important musical statement made in the realm of progin the last 20 years.

I resisted buying this for a while. Amazon kept recommending it to me but I thought both Big Big Train and English Electric were rubbish names so I didn't want to like it. However, desperate for new music one day, I downloaded it considering that it was good value for a double album and the reviews were very positive.

The first track Make Some Noise makes an immediate impression. It's pretty catchy for prog, and could even be a popular mainstream track perhaps. I know many progheads don't like the track but I do. It's been done very, very well, and is still undeniably progressive. I cringe at one or 2 of the lyrics but love the music.

The First Rebreather follows, and even on the first listen I know this is album I am going to like. Some years later I learnt what it was actually about (it makes so much more sense now!) but nevertheless this is a great track.

I won't go through track by track but will mention some highlights.

Uncle Jack starts a bit folky for my tastes, but when it gives way to the wonderful vocal refrain about yellowhammers, lacewings et al it is just sublime. I love the piano work in Swan Hunter. Each chord is simple in itself, but the sequence is simply brilliant and inspired.

Hedgerow rules for its passionate chorus and the lovely sound effects conjuring up an outdoor walk in the summer. Then the refrain from Uncle Jack returns and everything just works.

Judas Unrepentant was a slow burner, but I love the 11/8 13/8 couplings and the quirkiness.

Winchester from St Giles Hill is perhaps my favourite track of all. It's brilliant from beginning to end. Fantastic chorus. Fantastic instrumental section. Absolutely wonderful.

The Permanent Way ties up themes from The First Rebreather and Hedgerow in a very clever way.

East Coast racer is an exciting train ride of a track, and Curator of Butterflies is beautiful and gentle yet with a quiet power.

Is this the greatest album of all time? A preposterous question of course. But only because no album is the best of all time ? it's too subjective and changeable for such a title to be meaningful. But this album nevertheless makes me ask the question. And I'm not alone. Almost universal 5-star ratings tell a significant story. This is the best gamble I have ever taken on buying an album without hearing it. I could rave about the piano playing , the guitar solos, the wonderful brass arrangements and a man who sings about things as bland as trains and mines and water meadows as if his life depends on it, but I'm no writer. This is just something you need to hear.

My ALL-TIME Greatest #12

When inspiration is mixed together with talent the result, everybody knows, is the crystallization in the form of precious stones of different shapes and colors that shine even in total darkness irradiating waves of joy that cause extreme pleasure eternally.

Global Appraisal

For some years the band was already recording rather pleasurable albums but come 2012 they outdone themselves releasing the first volume of what would later become this extended collection of songs of the highest order.
I underline the mention of "songs" in the sense of little stories expressed in a lyrical/musical identity readily recognizable on its distinct personality and meaning.
I must say I feel impotent to express on words the overwhelming richness of detailed arrangements, vocal harmonies, varied instrumentations (see credits), thoughtful lyrics, everything being so carefully and pleasurably done exuding quality without fail.

Goodies

19 precious stones - 19 no less.

Note: Much preferable to get this "Full Power" as it contains the total of vol. I & II plus 4 extra songs just as good.

Absolutely incredible! This is how you make a box set. English Electric I & II were both amazing from the very beginning, and since they were both connected, it makes sense that BBT released a box set including both of them.

But this is NOT a cash-grab from the band. First of all, there's four new tracks. Second, the four tracks weren't effortlessly thrown to the end of the album, but instead, they were nicely placed between tracks from the two main English Electric parts. Third, the tracks were rearranged in a different order that further helped the main concept of the story unravel better. Fourth, the music itself is incredible: not a single minute feels wasted. Both parts were already 5-Star albums for me so of course this was going to be an amazing journey. Fifth, the box set comes with a 96- Page booklet filled with beautiful imagery and Big Big Train's comments on the album itself.

An incredibly complete box set, this is definitely essential. Five Stars.

The combination of two masterful works, English Electric parts one and two. With four extra tracks.

The whole compilation grabbed all nineteen tracks and rearranged them in a way that makes it feel like one continuous story. It's, in my opinion, the best starting point for anyone who wants to get into Big Big Train. It's their most quintessential work. It features strong Genesis influence combined with sweet wind instruments such as flute, tuba, trumpet and trombone, along with string instruments like violin, viola, cello, guitar and momentary harps.

It's a very long work so I recommend you to listen the first CD in one sitting and then the other one. The best Big Big Train work.

As a longtime, die hard fan of Prog. Also an observer of Prog Archives for quite some time. It's time that I started to review albums starting with this one. So many choices could have been made for my very first review. So many life changing experiences and timeless unforgettable musical memories from particular artists and albums. So why this album first. Well for multiple reasons actually. This recording is a modern day milestone. It holds up to anything past and present. This is also the easiest recording for me to recommend whether you are a Prog fan or not. If you are a classic Genesis fan put it as #1 on your bucket list. This will make you forget about all about a classic Genesis reunion ever happening. You will be grateful Big Big Train happened instead. This is classic sounding modern Prog at it's finest. The return of David Longdon, Nick D'Virgilio (Spock's Beard), and Dave Gregory (XTC) make for a flawless lineup and some of the best music ever made.

Highlights:

Winchester from St Giles' Hill- Perhaps the most beautiful and definitive of tracks on this record. Breathtaking piano and flute playing. Represents everything I love about this band.

The Permanent Way- Maybe the most catchy song. The flute and guitar sound very Jethro Tull inspired.

Curator of Butterflies- My wife's favorite. I believe most people will really like it whether they are into Prog or not. It's a beautiful song.

Summoned by Bells- The violin from Rachel Hall and the horn arrangements are the ingredient that give Big Big Train their own unique sound. You hear strong Genesis influences but these arrangements make them not sound like Genesis. This track represents Big Big Trains signature sound in epic proportion.

The First Rebreather- Sounds like something from the Genesis albums Trespass and Selling England by the Pound at the same time. Begins sounding like it came from 1970 with the guitar intro and bizarre Peter Gabriel vocals. Ends with moogs that sound like Genesis in 1973.

This recording is a real treasure. I'm very pleased to begin review writing with this masterpiece which has been my plan for several years now. It's worth mentioning and there is nothing I could think of as being more important to present after listening to countless Prog albums that expand for over 50+ years. A very special place in my heart for English Electric Full Power.

I am rating myself at a level 1 entering this review. I have an indication that I have heard a few of the tracks. I have never heard it all straight through, however. And it's a big one, comprising Parts one and two of English Electric which had been released previously as 2 separate albums. Along with 4 additional tracks from an EP called "Make Some Noise". The tracks are mixed together, presumably to make sense within the concept of the album. This is possibly? even likely? the longest album on the list at 2 hrs. and 16 minutes worth of music over 19 tracks. According to Wikipedia the concept is as follows:

Each song on the album tells a different story, many of them centering around characters living and working in England, with reference to the country's industrial past and processes which have changed its landscape. Full lyrics as well as descriptions of the stories behind the songs are included in the 96-page booklet of EEFLP. Additionally, Greg Spawton and David Longdon discussed the meanings of the tracks on the two initially released "parts'' of English Electric in blogs leading up to the releases of those albums.

As far as Big Big Train goes, I don't think I have ever heard a song of theirs that I don't like, so it should be a good 2+ hours.

So let's take a deep, deep dive with Big Big Train.

Disc 1:

Track 1 - Make Some Noise

We begin with great a cappella harmonies, followed by a distorted guitar riff backed by the band. This song is very catchy! There is a Tull-style flute part played by the late-great David Longdon, who was also the lead singer and a multi-instrumentalist. (He tragically died in November of 2021 after a traumatic fall in his home the previous morning.) For a relatively short song there is a lot going on here! This is a great crowd participation song. Some parts remind me of the Beatles (Sgt. Pepper era) others are straight boogie-woogie. The vocal harmonies and playing are spectacular throughout. Outstanding track!

Track 2 - The First Rebreather

There is an ascending guitar pattern as this song begins which will be quickly joined by lead vocals. Longdon's voice reminds me of Peter Gabriel here. There are some odd meters happening in different parts of the verses. The riff is vaguely somewhere between Kashmir (Led Zep) and Rhiannon (Fleetwood Mac). Things get quiet just before the 3 minute mark. Everything this band does is high-quality. The production is impeccable. There is a nicely phrased guitar solo at around 5 minutes in played by Dave Gregory. At about 6:30 a synth part comes to the forefront (Credited to band founder Greg Spawnton, who is primarily the bassist, but this is a band full of multi- instrumentalists). Wonderful track, even if not as exciting as the opener.

Track 3 - Uncle Jack

We begin with banjo (Longdon) and the band comes in with a light-hearted rhythm behind it, before the vocals join in. The harmonies are impeccable as guitar and banjo lines weave their way through the song. Flute returns in the instrumental break. This is a very enjoyable track, although a bit on the short side.

Track 4 - Swan Hunter

This one begins as a piano ballad with Longdon singing, before being joined by the rest of the band. The harmonies in this one remind me of CS&N on Our House. There are occasional odd metered measures breaking up the overall 4-4 at a moderately slow tempo. There are some lovely brass arrangements in the instrumental section that are joined by more orchestration. The electric 12-string parts remind me of Genesis in The Cinema Show. Longdon hits some glorious falsetto high notes at around 4:10. This song is so well arranged, that open-minded fans of classical music would certainly appreciate, if not outright enjoy, this song. Absolutely BEAUTIFUL!

Track 5 - Seen Better Days

This one fades in very slowly with synth sounds, before the bass begins a rhythmic pattern. There is some fantastic piano playing. There is a great drum groove from the amazing Nick D'Virgilio developing underneath. Longdon's voice so often reminds me of Peter Gabriel, that I am surprised that Ray Wilson got the gig over him in the 90s (they were the 2 finalists in the auditions to replace Phil Collins on lead vocals in Genesis). The harmonies at 2:58 are spine-tingling! The underlying rhythm reminds me of Genesis' In the Cage. Things lay-back a little and various instruments take the lead. Fabulous mellotron takes over at the 6 minute mark. There are some nice synth lines following that as the song winds down. Piano takes over during the last few seconds as it leads us to?

Track 6 - Edgelands

A very short track at only 1:26, the piano leads the way. It is primarily a piano solo that brings us to?

Track 7 - Summoned by Bells

The piano continues and vocals and drums join in. A violin joins with a countermelody on the second verse. Once again, the quality of arrangement really stands out here. There are little instrumental and vocal parts that bring that extra dimension to the sound. Things pick up at 3:20 and briefly become more intense. There is a vocal feature at 4 minutes with various instruments backing. A sitar joins in the mix as we proceed. Things get even more intense starting around 6 minutes. There is a lot happening here, but every bit of it feels like it belongs. The rhythm changes at around 7 minutes. Mellow horns take turns playing lines against the backdrop of sound created by the band. There is a great guitar solo as the song fades out.

Track 8 - Upton Heath

Fingerstyle acoustic starts this off with a subtle drum beat not far behind. Longdon starts singing not long after. There are folky instruments filling in between the verses. Once again, the vocal harmonies are as smooth as butter. Longdon's high notes that conclude the phrase, "Up on Upton Heath," each time he sings it are just impeccable. The harmony vocals and flute as the song reaches the final verse are amazing. I am probably going to wear out the word beautiful in this review, but I can't think of a better one.

Track 9 - A Boy In Darkness

After a few brief chords, Longdon begins singing. This one could almost be from a Broadway musical. The band kicks in big at around 1:40. But things come back down to a polished, highly orchestrated, bluesy sound, before it happens again. Longdon's vocals are just amazing! Hammond organ takes over at 3:10, as a guitar builds behind and the band comes in with a bang for some glorious "progginess" (my spell checked doesn't like that word, but I do), with fiddle playing over the top. Fantastic guitar line at 3:40. At around 4 minutes we're really groovin'. This instrumental break is fantastic. At around 5:20 violin and vocals come in, gradually joined by the rest of the band. This is probably my favorite track so far, on an already strong album. The part that starts at 6:40 when the mellotron kicks in is nothing short of incredible. London's note at 7:12 gave me chills. The drumming is amazing and it literally ends with an explosion. I am running out of adjectives to describe the greatness of this track. It should stand as a classic of 21st century prog.

Track 10 - Hedgerow

We begin with electric 12-string playing a Beatlesque part in 6-4. The time changes at around 1 minute in and smooth harmonies take over. We have another cycle of the 2 sections. I am picking up some Spock's Beard similarities, but it may be due to D'Virgilio's drumming (having been the SB drummer, as well). There is an instrumental section in 6-8 that includes a violin solo. I like the harmonized guitar parts at around 6 minutes. The chord progression in the following section with some piccolo trumpet fanfares also give me Beatle vibes?Dear Prudence meets Penny Lane. There is the sound of a distant dog barking as the track, and the first disc comes to a close.

Disc 2:

Track 11 - Judas Unrepentant

I have heard the live version of this, and I know it is considered one of the favorite BBT songs among fans. The intro reminds me slightly of Madness' House of Fun, but more prog. Smoother parts connect the verses. The choruses are more expansive in scope. There is a bridge at 3:00 that changes things up. Following that is an instrumental break in 6-8 with a piano foundation and various instruments on top. There is a glorious crescendo at 5 minutes in with amazing harmonies. The ska-type beat returns briefly following that, before returning to the 6-8. There is more whimsical playing leading up to the big finish.

Track 12 - Worked Out

A light, airy guitar pattern starts this one out. This is a moderately-slow easy going song to begin with. Things start building as we approach 2 minutes, but it eases back off for the second verse. The chorus of "We're working men, we follow the sea," is quite catchy. The flute solo that follows is very good as well?more shades of Tull as the next part of the instrumental section develops. The chorus returns afterward. Next comes a guitar solo. There are some nice Wakeman-style synth flourishes starting at 6:30. Also, one Simon Godfrey is credited on backing vocals on this song!

Track 13 - Winchester From St. Giles' Hill

We begin with piano & flute, before drums, guitar & bass take over, followed by harmony vocals. We are at a slow peaceful tempo. Mellotron strings join in with choir-like backing vocals. There is a nice jazzy feel to this, very relaxed. There is Hammond organ in the mix as we proceed. We return to piano & flute as we reach the instrumental break. There is a lovely crescendo as we begin the guitar break at around 5:10. Longdon's vocals return afterward with minimal accompaniment that begins to build up with layers of sound being added one by one. Beautiful song.

Track 14 - The Lovers

Pastoral flute and clean electric guitar start us off here, joined by Longdon's vocals. Luscious harmonies join in. The beat becomes steady and the guitars heavier at around 1:45. This is another moderately slow song, so far. As soon as I typed that, the tempo increased as we begin a fusion-style instrumental break. The guitar solo sounds as though it was recorded in reverse. It alternates with electric piano solos that sound straight-up. Choir-level vocals join in at 4:20. There is another verse and a short quiet tag at the end. Great track.

Track 15 - Leopards

A whimsical 3-4 tempo on acoustic guitar brings us in with some strings backing the vocals. The compositional level of the music on this album is astounding. This is pure art. I like the panning of the backing vocals opposite of the lead vocals. This is a relatively short track but it's simply perfect.

Track 16 - Keeper of Abbeys

This one begins with a late 80's Steve Winwood vibe, but quickly transitions to a quicker tempo. This one is kind of breezy until around the 2 minute mark when things sound more serious. There is a guitar break starting around 3:10. A bit of keyboard and sitar follow that. Next we have violin. We go into cut time and the sitar is featured again. We then switch to a half time feel with choir vocals and lead guitar as the song ends.

Track 17 - The Permanent Way

We start with a slow tempo featuring piano, flute & strings. Vocals join around 1:25, then a subtle drum beat fades in, joined by bass. There is a spoken word part between verses. Glorious organ and harmony vocals join in. This album is so beautiful! The tempo increases just before the four minute mark, with an organ solo. There are lots of well-done dynamic changes. The arrangements are immaculate. Most of the instruments drop out except piano at around 5:15. The spoken word part returns, followed by a crescendo and guitar solo. Then things come back down, and create a dreamy atmosphere as the song reaches its conclusion.

Track 18 - East Coast Racer

This is the big epic of the album at nearly 16 minutes. It begins quietly at first, but things soon change. The guitar & rhythm section begins with a quick staccato pattern that sets up the first verse. The next part becomes quite legato by contrast. At around 2:40 there are some cool guitar lines with a steadier tempo underneath. The tempos and feels of the song change rapidly, but in a way that doesn't feel herky-jerky ? it works. Mellotron & piano take over around 5:40. Then the rhythm section creates a proggy groove for an electric piano solo. Longdon's voice emerges from the solo so smoothly, it sounds like an instrument at first. This band handles tempo and meter changes so smoothly, it's sometimes hard to tell that they've happened. The next instrumental break is beautifully orchestrated. An exhilarating crescendo happens at around the 11 minute mark. Then, however there is a decrescendo and things quiet back down peacefully. By 12:45 it's so quiet, it's almost inaudible. Then we begin another slow crescendo. Then all instruments fade out except some beautiful piano playing to conclude this amazing epic.

Track 19 - Curator of Butterflies

Piano starts this one off, joined by vocals. The bass & drums start providing subtle rhythms. Longdon proves once again that he was one of the greatest singers of the early 21st century. What a tragic loss. His vocals on this are simply magnificent. There is an interesting meter change at around 5 minutes. The way he sings and sustains the word free at 6:37 is simply masterful. There is a nice melodic guitar solo that follows, eventually joined by mellotron backing. Things quiet down at around 8:10 and solo piano closes out this amazing album.

OVERALL IMPRESSIONS:

What Spawnton, Longdon and company have achieved here is nothing short of a masterpiece. When I saw that this is 2 hours and 16 minutes of music I was a bit intimidated. But, not one second of that music is wasted.It took a few sessions due to my schedule to listen to it all, but if I had the time to listen uninterrupted, I would not be disappointed. I believe that people who consider themselves more of a classical music fan would even enjoy this. It transcends musical genres and is simply incredible music. These songs may have been initially on 3 separate releases, but they belong together in this format. If you are a prog fan but haven't checked out Big Big Train, you are really missing out. I can't give this anything but 5 out of 5 stars. It's amazing.