RETURN

The Axeman Cometh

Groovin`rythmical jazz-rock from one of it`s masters which is more jazzy than most of his previous funk-laden electric work thanks to the Brubeck brothers who provide Coryell with a solid canvass over which to work his improvisational wonders and yes, they`re none other than the sons of jazz legend Dave Brubeck. The results achieved here revisit Coryell`s masterwork, Spaces in ways, albeit in a smoother and less serious manner. There have been many reviewers who have slammed this work in the past for being too mainstream but it contains some of Larry`s smoothest most together work from the `70s with plenty of soloing not only from Larry but also from pianist Darius Brubeck whose colourful highlights give the album a bright consistent sound. Without a dull moment, it is also easier on the ear for non-musicians than Spaces which makes it a great intro to Larry`s playing. Some mistakes are left in as well for afficiados to detect which which is typical of Coryell when he really gets into a groove. Another subtle ingredient is the assorted percussion of Ray Mantilla as well as the Chris Brubeck`s Pastorious-like bass sound which gives the album even more depth. An overlooked gem in Coryell`s extensive catologue which contain six solid jammin`tracks. Highly recommended for those who want to discover a lighter side of Coryell`s genius.

Starting with a discouraging disco rhythm, the polished disco-funk sound makes also Coryell's guitar sound more tamed with fewer notes played. There are basically times with no instrument playing solo, which is perfectly acceptable. Drums, bass and keyboards are capably handled too and suggest more affinity for jazz- funk than fusion.

Even if Coryell playing is good as usual and I am glad he returned to electric guitar briefly, compositions are not memorable, at least the first three ones. The spirit is shiny and light-weight and the music is more suitable for background listening. "Mediterranean Sundance Dos Aguas" has some intensive moments but only the guitar and keyboards conform to the fusion playing criteria.

A pleasing but forgettable album.