JOHN LEES' BARCLAY JAMES HARVEST: LEGACY - LIVE AT THE SHEPHERD'S BUSH EMPIRE

This live album features the set highlights from John Lees's Barclay James Harvest's November 2006 concert at London's Shepherd's Bush Empire. It was a strong set and its slight curtailing lends the album an impressive running order of classic BJH songs from the period 1969 - 1978, some of which such as "Poor Wages" and the full segueing of The Poet/After the Day, just as on the original studio version, have never appeared on a live BJH album before. Others, such as "Mockingbird", "Suicide?", "Medicine Man", "For No One" and "Child of the Universe", have been favourites of the live set for many years but these rousing renditions are well worth another listen.

John Lees's version of BJH, with its predilection for classic and progressive rock will appeal to many fans of this society.

"Legacy" is one of many BJH live albums. Had it not been for the fact that Lees's and Wolstenholme's voices are now showing some huskiness and struggle to sustain some of the original notes then this would be a very strong contender as their best live album. Certainly, musically, it is exceptional. To listen to John Lees and Woolly Wolstenholme, the two original founder members in this version of the band, putting in some sterling performances on lead guitar and mellotron on these classic songs is just blissful and will again make all fans of the band's 70s period rue the day that Woolly departed.

I would thoroughly recommend this album to all fans of the band's 70s period. For newcomers who may be interested in sampling the band's live material, 1974's "Live" or 1978's "Live Tapes" may be better starting places, despite Legacy's better set-list, simply because the vocal performances on those recordings are, not surprisingly, better.

A DVD of the same Shepherd's Bush concert, featuring the entire concert plus back-stage footage, is due for release later this month.

It`s been a long, long time since, on record, we have last heard from John Lees, but it was worth the wait.. at least for any fan and lover of the "old BJH"... "Legacy", in the first place, means: OLDIES, OLDIES, OLDIES... and, look at the tracklisting, the setlist could hardly have been any better ( "She said" is missing due to Woolly`s flue on the tour, and "Galadriel" is on the DVD which i still have to purchase but definately will next year ).

But first i wanna say what`s not that good on "legacy" and saves it from getting more than a ( bare ) 4 stars. It´s... not only music from the 70s, it`s sounding LIKE coming fro the 70s, this means ot quite as good as "Revival" did. The mellotron - played fantastically by the gorgeous Mr. Wolstenholme - is a BIT too loud so up in high frequencies there`s not as much space/air left... the sound culminates in the MIDDLE, and this it does a bit too much. The singing... well, not half as horrible as Les Holroyd`s attempts lately, but especially John Lees has got his problems with intonation and lungpower... while Woolly Wolstenholme, in spite ( or by courtesy ? ) of his flue, sings his lead-vocals very, very beautiful... no sign of pressing like on "Revival" at times, and he`s hitting the notes very well.

You know that Mel Pritchard and Les Holroyd cannot be replaced... but Craig Fletcher ( bass/bv ) and Kevin Whitehead ( drums ) do their very best and, again compared to "Revival", have grown a better unit meanwhile... their playing together has improved and it`s only in parts when you hear "they can`t do this... they can´t do that... so it`s NOT quite as good as it was in the past"... in "For Noone", for example, it`s still obvious they manage to create a good groove but not the furious rocket to take you to space... but it´s better than on "Revival" cause Woolly`s playing them keyboard fills that can make you lose your mind ! "Mockingbird" does function well because of he new arrangement with which neither Craig Fletcher nor Kevin Whitehead are overburdened... this time it`s without keyboard-drum-sequencing, it´s all live completed with John Joseph Lees` jazzy cornet... to which you have to get used to cause though, technically, his playing is very very good he`s simply playing it VERY FREE and clashing with his father`s guitar as well as the keyboard-wall-of-sound just a bit too harsh at times.

But... to hear "Medicine Man" this strong... well, here you can`t really think of anything missing, it`s absolutely great and meant to become my future-favourite-version of it ( I`m still hooked on the" Glasnost"-performance that, by now, remained the only old song that i prefer to hear in a version without Wolstenholme ).

You can file "Poor man`s moody blues" and "Hymn" under "obligations"... not really necessary to have this way but a way to satisfy commercial requests so "Legacy" may sell better... well, they have to do them in concert, no question, but the fan doesn't really need every version on CD... though "Hymn" is indeed something different with J.J. lees on cornet ( this time very harmonically added ) again. "Child of the Universe" is good but you can`t expect any new rendition to come close or even beat out the one on "Live Tapes"... while "The iron maiden" now is even slower than it was since "Nexus" and just as fine as on "Revival".

What`s really making this release a must have for old hands are... "In Search of England" ,in spite of some blue notes by John Lees very very beautiful ( the original version on "XII" is unbeatable but tis one reaches the heart immediately and you shouldn't miss it ! )... "Poor Wages"... best version up to now... "the great 1974 mining Disaster", in spite of John`s singing not being that sure again i claim it to be the ultimate version of it up to now... and... you MUST hear this... the absolute climax of the show/disc: "The Poet/After the day" haunting, powerful and sensitive as well... definite... you`ve never heard it as good as this. It´s a must have and deserves 5 stars for itself alone !!!! But this is the fan speaking, make up your own mind.

I wonder what Les Holroyd is thinking when he`s listening to the highlights on this album... his old partners don`t need an orchestra, they`re simply making it with the heart... and no matter what flaws anyone may find if he´s looking for them, for the fan it´s an absolute obligation to buy this... he won`t regret as won`t the average prog- listener who doesn't turn down BJH... it belongs to heir finest, still !