AQUELARRE

In my country (place of Crucis, Aquelarre, Arco Iris, La Máquina de Hacer Pájaros) not all knows of this bands, the argentinian rock of the 80's froget the 70's and the young people don't know this bands. I think is a masterpiece of argentinian rock. Hector Stark is a exelent guitar player, all the band is good. But i think the bad thing of this band is the importance of the guitar and forguet the others instrument. There's no balance like Yes or Floyd. But is an exelent album of Rock 'n' Roll, psichedelia, Space, progressive.

A pretty good album, it picks up s from where Almendra II left off; anyways this sounds much more like Pappo's Blues than Almendra. Of course, Spinetta's absence explains the sharp drop in the quality of the lyrics when comparing this album to Almendra. I don't know if I would call it psychedelic or space rock, but it is in the same vein as most stoner rock bands. The album features a great cover, which is pretty psychedelic, and was drawn by the band's bass player.

AQUELARRE were a Psychedelic band out of Argentina and this is their debut from 1972. What makes this album great in my opinion are the vocals, drums and guitar. They are a four piece but those guys standout. The keyboardist plays clavinet throughout except for the organ he adds to two tracks. The shortest of the six tracks is the 4 minute opener with that third song being the longest at 9 minutes. I like how they repeat themes and change things up. An adventerous spirit here and these guys were in previous bands, they are experienced Jimi.

I have to say I'm surprised at how much I enjoy this record. I just love their sound and they have some attitude. The bass player did the cover art which is a classic when it comes to South American Prog albums. Every song on here is good to great, my kind of album. In fact I couldn't come up with a top three even as I checked every track on here, they are all good. Singing is in Spanish. The one song that's a little different is that fifth track with some ukulele even provided by the guitarist. More of a folky vibe on this one but it's uplifting to me. The opener might be my favourite, very energetic and catchy with repeated themes and I'd say the same about the third number on here.

Another outstanding release from Argentina, I'm so glad to own this one. Love that attitude.

One of the earliest progressive rock acts in Argentina, AQUELARRE emerged from the ashes of Almendra when the prolific tour de force band leader Luis Alberto Spinetta decided to move on and embrace a multi-band work ethos that propelled his bands Invisible and Pescado Rabioso to the top of the prog scene in Argentina during the 1970s. After Almendra's first run ended after releasing two of the earliest examples of proto-prog in Argentina, members drummer Rudolfo García and bassist / vocalist / flautist Emilio Del Guercio decided to start their own progressively infused rock band and once the final lineup that included guitarist Héctor Starc and the bluesy keyboardist Hugo González Neira was complete, the then band with no name enjoyed a number of live performances before finally settling on the name AQUELARRE.

The band's eponymously titled debut appeared in the summer of 1972 and featured six tracks that added up to about 38 minutes of playing time. With a sound that was characterized by a bluesy 60s style of heavy psych that was animated to higher levels courtesy of the dualistic one / two punch of Starc's feisty guitar performances and Neira's energetic organ deliveries, AQUELARRE attracted a loyal following. Starc's famously delivered a distinct guitar tone courtesy of the pleasing distortion obtained through a tweaked Les Paul. The mix of 60s heavy psych and the more contemporary powerful riffing and soloing of hard rock offered a unique bridge between the two eras in early 70s Argentina which was a few years behind in the timeline when compared to its European counterparts and the more developed prog that followed. Likewise the organ runs delivered the same hybridization effect of 60s psychedelia along with the more proto-prog leanings of transitional bands that permeated Europe around the 1969-70 timeline.

While based heavily on 60s style songwriting styles, what made AQUELARRE stand out were the extended composiitons and sparing use of off-kilter time signature deviations. The album delivered somewhat of a jamming style of improvisation that offered feisty guitar riffing and ripping licks and leads. While the songs themselves (sung in the Spanish language) were more steeped in 60s heavy psych, the instrumental prowess of the musicians was up to speed and ready for prog prime time however that would have to wait until the band's second album "Candites." The compositions were built around the guitar parts therefore that instrument dominates the album however both bass and drumming aspects delivered not only impeccably tight rhythmic drives but also offered enough variations as to elevate them above and beyond the call of mere rhythmic duty.

This style of early prog was quite popular in Argentina, especially the Buenos Aires scene and AQUELARRE attracted a large following with ease with a large number of sold out concerts after the release of this album. The heavy psychedelic sound was the perfect gateway drug to introduce the nation to the more advanced prog technicalities that were being churned out on the European continent in a glut of overabundance. While considered an early form of progressive rock, what ALQUELARRE delivered on this debut was more of a transitional sound between the earlier works of Almendra and bands like Pappo's Blues and the more sophisticated Argentine prog that wouldn't take off until the mid-70s. The band evoked the heavy psych sensibilities of the American and European 1960s more than anything but offered enough progressive elements to attract those who embrace those in-between types of albums.

Overall i find AQUELARRE's debut to be a nice enjoyable slice of early 70s heavy psych with prog leanings but not as captivating as the fully developed prog that the nation developed in the latter half of the 1970s by top tier acts such as Bubu, M.I.A, Arco Iris or Alas. The strength of the album is the richness in tones, timbres and general flow of the musical deliveries with nice instrumental interplay and pleasant to the ears lyrics sung in the Spanish language however on the down side the album sounds a bit anachronistic for 1972 and plays it too safe leaving the progressive parts feeling a bit unsatisfying and gimmicky rather than fully integrated into the band's overall cohesiveness. This album has become somewhat of a classic over the ensuing decades as the wealth of music from Argentina has become known to a wider world audience. For my liking however it's a nice competent and decent listen but doesn't quite get my juices flowing like other Argentine acts of the same era.

3.5 rounded down