ROBOT WOMAN

The best of the three Robot woman Lps and as always with mother gong busting over with great musicians. This makes the resulting dross even more irritating to endure. When Gilli is confined to space-whispering she really is a great vocalist however she seems to approach Mother Gong as a soapbox for her feminist/hippy/right hand witchcraft/anarchist politics. This gets very wearing very very quickly. Do we buy Lps to be preached to by Middle class hippies ? I don't. There are a few half decent pop tunes here "Australia" which encourages us to go live in Australia because its a pretty nice place you know. is about as lighthearted as it gets, even so it is full of political references. Some of the rest of the Lyrics are truly dreadful " fix me with your screwdriver I need your screw driver " titter titter nudge nudge wink wink stuff and very annoying. Considering the time in which this came out many of the crowd probably did relate to the lyrics, but it really feels as though she is talking down to most folk. There are way to many lyrics on this record and somewhere under this is some OK but non essential music. To me it sounded like a contractual obligation LP so the release of a further 2 recordings was an unwelcome surprise. Mother Gong were never a studio band and it really shows. Live they were a goodish band to open or have at the start of the day to get people in the mood for far better things. Unless you cannot resist buying everything by Gong's female vocalist or you want an expel of Guy evens drumming outside of VDGG or maybe are fascinated by the potential of Hooper etc this is not an LP to buy otherwise. To my Knowledge Gilli released one LP which contains some strong cuts IE "MOTHER" which is not yet included here, but is essential to Gong fans. This is not essential in any sense.

This is the first and best album of Mother Gong's Robot Woman trilogy. It features Guy Evans of Van der Graaf Generator on drums and Hugh Hopper of Soft Machine as guest musician on some tracks. It is about the adventures of Beta the robot woman, who wants to become a real woman. Itstarts with an unusually funky track, Disco at the End of the World. However funky it is though, this is not disco music at all. Yan Emeric adds some good guitar licks to the funky bass of Dane Cronenberg, and Didier Malherbe is just his usual self, which means excellent. The second track Robot Woman has something zappaesque to it and, although musically excellent, is definitely on the funny side too; you can almost hear Malherbe laughing on his sax. Machine Song features Steve Hillage of Gong and Nik Turner of Hawkwind and has a lot of Gilli's trademark space whisper (she never sighed that erotically before, in my opinion). Good guitar solo of Hillage too in that song. It floats into The Sea, which is more space whisper over drones, and then continues into Searching the Airwaves, which again is quite funky with some great sax by Didier Malherbe. Side two starts with Billy Bunker's Blues; think of the cowboy from Dr. Strangelove riding on the atomic bomb to earth singing a country song about the importance of his mission, and you get the impression. Good guitar picking by Yan Emeric. Military Procession is exactly that: marching drums and piccolo flute, with Gilly Smythe ranting about the stupidity of the arm's race until she gets grabbed by the crocodile-faced Customs Man. This leads into a number of that title, the middle of which is an instrumental freak out which lends the musical background to a monologue of the Customs Man, during which he rapes Beta. The song concludes with a great guitar solo by Yan Emeric which is among my top ten guitar solos of all time. The shamed and enraged Beta sets fire to the town in the next song, which is another monologue over instrumental freak-out. It leads into Red Alert; Billy Bunker seems to have launched his rockets. However, in Stars the world and all the rockets are frozen and turned into ice cream, and the world is given a second chance. The final song Australia is a satirical dub reggae in which Australia is praised for its safety of nuclear bombs. While the album is not as coherent as the predecessor Fairy Tales and has a few little downs the overall material is excellent, and I have to give it 4 stars.