FEATURING RAY BENNETT & COLIN CARTER

High time for comebacks! Like I said in previous reviews, it's been high time for bands to come back. A few years ago another dinosaur came back to Earth: Flash.

Flash was originally formed in 1971 by Peter Banks, first Yes guitar player, and Colin Carter, who was the singer of the first Camel line up, before they started to record. Ray Bennett joined them and Flash was born. They released 3 albums between 1972 and 1973 and then disbanded around 1974.

The duo Ray Bennett and Colin Carter got back together again around 3 years ago to work on a new album and play live. The result is Flash Featuring Ray Bennett & Colin Carter (2013) (what a terrible name for an album), released by Purple Pyramid/Cleopatra Records in May. The album was recorded in Nevada, the USA and it was produced by Ray Bennett himself.

Together with Ray (electric and acoustic guitars, vocals, bass, keyboards and percussion) and Colin Carter (vocals and guitars) we have the musicians Rick Daugherty (keyboards), Mark Pardy (drums) and Paul Pace (drums).

When track one 'Night Vision' begins one quite doesn't realize that it's been 40 years since they recorded their latest album, Out Of Our Hands (1973). The track is full of layered vocals in great 70's Prog style. Second track is quite a mystery. If you never heard it before you can actually think it's one of their own songs, but 'Hurt' is in fact a Nine Inch Nails song that got famous by the version Johny Cash did some years ago. This version is quite a good surprise.

'Something So Dark' and 'Manhattan Morning' pass without much fuzz. The latter is, in fact, a re-recording of the original song presented on their 3rd album. Here the voice of Colin Carter seems very tired. 'Into The Sun' brings back the interesting Flash. Great bass line and lots of vocals. 'Grand Canyon' follows with a weird beginning, more of an upbeat track with great guitars, but a bit too long for my taste.

The last 3 tracks are a bit shorter. Starting with 'Morpheum' that is an instrumental track with great emphasis on the guitars and charged with space synths. Then we have '10,000 Movies' with a great initial riff and a really interesting melody. 'Richerd Of Venice' closes the album as an instrumental track, based again on guitars but this time with a piano helping to glue everything together. But honestly it is a very weak piece to finish an album.

In general, Flash Featuring Ray Bennett & Colin Carter (2013) is a regular album that ends up being a 50/50 relation. It has many great moments that praise their 70's heritage, but at the same time half of the album is too 'regular', nothing really special in it. It has some great bass lines, very interesting guitar moments too and some tracks shine with their own light, but that's pretty much it.

If you're a fan of the band's first three records you can go for it with a resting head.

(Originally posted on progshine.net)