ON A DARK AND STORMY NIGHT

Based on Madeleine L'Engle's classic science fiction novel A Wrinkle In Time, the latest offering from American progressive rock act Shadow Circus is an epic concept album with some seriously cool things going on. Shadow Circus first grabbed my attention with 2009's magnificent Whispers and Screams - an album that I consider to be one of the finest from that year - and 2012's On a Dark and Stormy Night is of equally high quality, if not even higher. The group's brand of progressive rock won't alienate fans of the seventies' classics, but they offer enough of a twist on this well established formula to make for a fresh and invigorating listen.

On a Dark and Stormy Night is primarily symphonic progressive rock with influences from acts like Yes, Genesis, and ELP, but some hard rocking sections reminiscent of Deep Purple and brief hints of Dream Theater-influenced prog metal prevent things from ever sounding too familiar. Just in the first handful of tracks, the listener is exposed to acrobatic instrumental technique in "Overture", lush symphonic textures in "Daddy's Gone", and infectious guitar grooves in "Whosit, Whatsit, and Which". To name just a few songs, Shadow Circus continues this eclectic approach with the seriously heavy riffs in "Tesseract", beautiful ambient sounds in "Ixchel", and the bombastic closing piece "The Battle for Chris Wallace". On a Dark and Stormy Night features enough variation between tracks to keep you on your toes the entire time, but it also remains stylistically cohesive as a whole.

To top it all off, On a Dark and Stormy Night features a crisp production and tight musicianship in addition to the memorable songwriting and arrangements. Shadow Circus has offered progressive rock enthusiasts an exciting and powerful observation once again, and it would be a shame for any fan of the genre to miss it!

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