CAIRO

I remember to obtain this when I saw the parts and the songs on the back of an album of homage for the side in black of the moon was which about what Magna Carta was all. I cannot remember if I like which Cairo made, but I guess that I must have liked it because then I went to buy this album of Cairo which they called after themselves. They are not Egypt or Sudan, but I think that they are the United States.

They begin the album with far with the design which gives me average Eastern feelings and the guitar is large like the top of the funds of a pyramid and adhesive of circus. It is a short supposed piece to depict the beginning of the album of box. After the this simple ends, it is time for the season of the heart. It has a beginning awkward for me, deliberated among bottles on soda and green cords on latitude with crescents. But then energy begins again and I judge where they are matched with this one, not only on comets, but around my hairs of nose. Tinkling makes almost me want to shout and the ants in my chimneys. Probably a certain season ago which had a heart, but I think that it differs from the people to the person and them on the left he open probably given for this.

The instrumentation is delightly like the predecessors of the gold era. The quiet winter is always in the topic of season and has a more modern approach with him. I like susceptibilities of the keyboard of Robertson in that and the preceding box. I am completely with this. The drums begin again and are more interesting then before and I think historically behind in time. It is a superb nice song.

Between the lines is also an energy of the batteries waiting to drop itself above the wall to be delivered trousers is with until this encourages me to want to think. It evaluates the health of spirit to be in your preferred food chain of fast preparation. The work of guitar of Fuhrman is delicious amusement present and still I am with the mood of Robertson. Bret Douglas has an interesting voice well that sometimes it encourages me to think of the tin and the aluminium with best of them.

Still, we continue this retrogressive exposure of the noises as one lost moment where the melons reigned the ground. The power and energy vibrate all my bodies in crescendo of the soft activities and yellow-striped papers. The divided world has to me to wonder whether it obtained cut of pieces of circular graph, but I think that it is something more abstract that a meat pie and the meat pies are not like balls.

The ruins with the door of Avalon seems to be the homage or the sign of approval of Cairo of the hands and the arms with ELP. I am magic to see hands and arms and when they are agitated in the breeze. It is a long song and I am dubious as for the section of Avalon. On this date, I appreciate in the model of keyboard of Emersonian that Robertson chose to use with the rather good effect. It is like seeking neutrons the morning but like not finding any ventilator. It is a splendid end at an excellent beginning of these Americans.

In the turbines, I must give these four holds the first role. I thought that approximately three holds the first role with the beginning, but the musical direction is up to now removed average, I leaned in the direction of four holds the first role. I think which necessary Cairo was a little of variation of model while I detected a sameness above the whole length of their work. Moreover, one certain improvement of the production or mixture would be useful because I felt and detected some muddy noises. Always, the music is far higher than other bands in 1994. Thus, in the trousers of yesterday, I incline the head my hands and the arms to give four hold the first role. --JB