INVISIBLE TOUCH

An underrated album from Genesis who, even at this late stage in their career, display prog flourishes and songwriting, albeit presented here in a glistening 80s pop sheen that have rendered it unlistenable to prog traditionalists. That's really a shame because while there are a couple of subpar ballads on this release that pull the rating down a bit, the highlights are amongst the best material that Genesis had written during the decade. The album is a varied affair... on one hand, "Invisible Touch" is a spirited and energetic upbeat track, and on the other, "Tonight, Tonight, Tonight" is a moody atmospheric piece. "Land of Confusion" displays that Genesis had mastered the art of pop songwriting, albeit pop with all the quirks that one has come to associate with Genesis. Even at their most commercial, the band is still identifiable as Genesis... the stuttering guitar riffing of Rutherford is especially notable on this track. Collin's drum electronic drum sound is a bit of a departure, as some have pointed out, but his vocal performance is as strong as ever. Tony Banks is, well, Tony Banks... he never disappoints. The album ends on a strong note with the instrumental "The Brazilian," once again dismissing notions that the band had "sold out." Make no mistake, this is still Genesis, and it's fantastic. Recommended, especially for fans.