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The Aristocrats - The Aristocrats CD (album) cover

THE ARISTOCRATS

The Aristocrats

 

Heavy Prog

3.77 | 137 ratings

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Epignosis
Special Collaborator
Honorary Collaborator
3 stars The Aristocrats is a heavy rock and jazz fusion power trio from around the world. The music here tends toward playful fun but incoherence. This is a series of lengthy albeit sophisticated jams full of incredible technical proficiency but lacking any memorability.

"Boing!. I'm in the Back" Distorted guitar and an odd rhythm adopt a quirky drive in this opener. Eventually, it boasts a bit of progressive surf rock. I appreciate the softer side the band takes on during the middle passage.

"Sweaty Knockers" Interesting title aside, the music here switches from aggressive rock to smooth jazz in a matter of mere moments. The guitarist gyrates through heavy metal shredding and country rock twang.

"Bad Asteroid" Velvety guitar begins this calmer venture. It's rather similar to "Walking the Plank" by Celtic rockers Bad Haggis.

"Get it Like That" This fourth piece stays in that laidback jazzy mode, but there's more of an urgency about this one.

"Furtive Jack" The band offers a degree of variety on this Caribbean-inspired excursion. It blends silky jazz with grittier leads. There's an excellent bass solo to be found here.

"I Want a Parrot" Slow and swinging, I find this lengthy tune to be somewhat similar to material from David Gilmour's On an Island. There's plenty of screaming guitar and grooving bass here to go around. The judicious drummer does an incredible job giving the music precisely what it needs, even if it means sitting it out for a bit.

"See You Next Tuesday" Initially of an avant-jazz-rock piece, this one tends to be harder to follow until it settles into a heavy groove upon which the guitarist has a field day.

"Blues Fuckers" This unfortunately titled piece is just all over the place and is only really bluesy in the beginning and the end.

"Flatlands" The final piece is clean, slow-paced blues that is reminiscent of some of Eric Johnson's smoother work- a placid ending to an otherwise frenetic album.

Epignosis | 3/5 |

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