WHAT'S THE NAME

Bootleg quality. Recorded with a 2-track tape recorder and cheap microphones. But some totally freaked out songs, far more better than many studio recordings. This isn't Ixthuluhs best album surely, but despite the low-fi-sound quality, it does capture Ixthuluh at a very unusual and crazy phase in their development. I'd recommend this to people who already know Ixthuluh, maybe from the previous Tea At Two. Of course, it's jam music, but this last line-up of Ixthuluh did a job without consideration to your sensitives and brings some compact songs, strange and different. Could be essential, but the sound is awful.