Вічний оберт колеса (ETERNAL TURN OF THE WHEEL)

"Eternal Turn Of The Wheel" is a traditionally executed, yet pretty effective Atmospheric Black Metal.

Drudkh in 2012 are already considered Black Metal veterans. But the problem with veterans is that they get so used to the fact that they reach this status, that often they don't try as hard to make good music. Though it does, after a while, come out pretty naturally. "Eternal Turn of the Wheel" indeed feels almost effortless, in a good way, but you can tell that some of the excitement of the earlier albums is gone.

With the usual, rough production, the band delivers a pretty standard, typical Atmospheric Black Metal album, that remains extremely consistent with Drudkh's style. There is an overall less emphasis on the keyboards, which are used much more subtly. The vocals are probably the biggest change: much lower-pitched, less shrieked and a bit more human sounding, in contrast with the banshee vocals of the previous albums, a definitely interesting and quite different approach.

One of the darkest albums of the band, "Eternal Turn Of The Wheel" has a really intriguing, fascinating and gloomy atmosphere that reminds of a nocturnal, spectral, and especially, sylvan sight, where ancient ghosts roam around. The five tracks that together are only slightly more than thirty five minutes long, all feel very connected to one another, not only length-wise but also in terms of atmosphere: "Breath Of Cold Soil", "When Gods Leave Their Emerald Halls", Farewell To Autumn's Sorrowful Birds" all feel like windy, crispy tracks that aren't at all estranged from the rest of the band's discography. They still deliver great, memorable moments and haunting atmospheres.

The closing track, "Nights Woven Of Snow, Winds and Grey-Haired Star" feels a lot sludgier and crunchier, still however maintaining the chilly aura of the previous tracks. "Eternal Turn Of The Wheel" is a interesting and enjoyable Drudkh album that offers hints of originality occasionally; tradition though is a big aspect of this record, and as a consequence it doesn't feel that different or distinguishing from other releases of this legendary Ukranian band, who I personally will always follow, no matter how habitual they might become.

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