MOVING GELATINE PLATES

MGP is one of those superb early 70's band that was victim of the poor means of their promotion team and the decaying club scene in France as the gov't was shutting down everything that could cause the great French Student Anarchy movement of May 68 to revive.

We are dealing with a superb jazz-rock somehow very close to Canterbury bands like Soft Machine , Caravan , Hatfield etc... The band is the project of the two younger guitarist (who actually swapped their instruments as they thought they could do better than the other) and were joined by older members (6 years older) Gerard Pons (brother of Magma's bassist Dominique Pons) and Maurice Helmiger on both winds and KB. And do these guys rock!! Their enthusiasm is over bearing and very communicative. The opening track London Cab is simply marvellous interplay between all four members. Theior inventive sort of jazz-laced rock with short vocals interludes (in English and also sometimes very anectdotical as most song lyrics were not above four lines long) is captivating. Helmiger swings from the flute to saxes and trumpets (sounds a bit like Nucleus's Ian Carr) and keyboard is clearly the man that males the difference. X-25 is rather calmer and gelatine is probably the tracks that fits them best.

Side 2 starts with the 15 min+ Last Song (which it is not ) and was clearly their closer on their live sets. It is a very great tune but marred by a lenghty drum solo that does take a bit of the charm of repeated listenings. Memories is rather forgettable after such an epic.

The bonus tracks are from their third album, recorded 8 years after the break up , but rest assured , there is no catastrophe! The tracks are jazz-rock that are quite pleasing , and do not sound out of place too much with the rest of the album. They are there and do not shock but they DO pale a bit in comparison with the original album.

Essential record for all of those wishing to see that the "Canterbury Sound" existed across the chunnel!

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