CLOSE TO THE EDGE

Nigh on forty years after its initial release, it is somewhat taxing to reflect, with novelty and freshness, on 'Close To The Edge', the seminal 1972 album from Yes. Similarly, it's difficult to avoid a gushing, superlative-laden eulogy when reviewing the album.

So, whilst contemporaneous musings on the matter may understandably lack originality, the actual music is still as enchanting, euphoric and invigorating as ever. Personally, I'd argue that the exhilarating nature of this album is its most startling and enduring aspect. Yes have mastered the art of rousing auspicious emotions, and on CTTE they flaunt their abilities with unrivalled élan. From start to finish, the whole experience is simply astonishing!

Okay, so maybe this is another gushing review, but if any album deserves lauding, it's CTTE! Granted, there may 'only' be three songs, but each track is akin to a mini-album, exploring a myriad of esoteric musical concepts, drifting the listener in and out of contrasting soundscapes; never stalling, always captivating!

The lyrical concepts here are somewhat impenetrable, and, for some, this may be off-putting; however, Yes rightly concentrate their considerable creative muscle into structuring the perfect aural experience, and the words correlate with the sounds flawlessly, generating a cohesive palette of unparalleled sonic beauty.

Each track presents a stimulating musical voyage, and it's impossible to single one out for special mention, as the essence of each song complements a different mood perfectly. Essentially, therefore, the album is unexpectedly versatile, and warrants a listen anytime, regardless of your contemporary psychological disposition. The music invariably engenders joy, anyway; accordingly, it's a tremendous way to elevate your spirits.

So, to abridge: an album that is as good today as it was in 1972 (if not better). Buy!!