MOVING PICTURES

Here we have Rush at their absolute best. With this, they achieved an even higher critical acclaim and popularity than they had with 2112. The album contains 7 smashing songs full of life and vigor that really set the standard for progressive rock and proto-metal of that era. With the classic Tom Sawyer opening for the album, you can see how much of a classic the album really is. The album truly is a pure masterpiece.

Tom Sawyer is the opening for this album, and it's one heck of an opener indeed! Coming forth with the classic synth-drum duo, and those typical Geddy Lee-style vocals, the song is an instant hit. The whole length of the track is pure amazingness. The song has intense instrumental talent, great melodic value, superior rhythmic support, and just about everything else you could possibly want in a song.

Red Barchetta is the kin of song that needs to mature, for me. The first time I heard I thought it was alright, but nothing special. As I continued to play the album, I began to realize what a spectacular song it truly is. The song has some of the best melodies of the album, and a really great rockability going about it.

YYZ is the essential Rush instrumental. I can talk for days about the technical ability all these guys have, but this one song about sums it all up in 4 minutes. Every savory second is full of great 5/4 fun, with that great triangle-intro to the on-off feel of the guitars and drums, and those solos! Everyone gets a solo, with Lifeson ripping on his guitar, and Lee wacking on his bass, and of course Peart smashing away at the skins.

Limelight is yet another timeless classic, and was actually one of my first exposes into the sound of Rush. That classic verse and chorus makes this song an absolute timeless classic, all about Rush in the Limelight-- or not.

The Camera Eye is the epic of the album, clocking in at around 11 minutes, depending on your version. The song takes a little while to really get started, but you can be tamed by the psychedelic and ambient intro the band threw in, before the song really kicks into action. The song contains some of my absolute favorite Rush moments, with that great guitar melody and the great vocal and drum tracks that back it. The whole song is just an absolute blast to listen to.

Which Hunt is the only real "weak" track on the album, but that's only because it is on the tail end of 5 amazingly spectacular tracks. The song has a much slower and "creepy" feel to it, with some real "supernatural" feeling ambiance about it. The track is good, but nowhere near as good as Tom Sawyer or Camera Eye.

Vital Signs is a great ending to an absolutely fantastic album. The song is a little weak compared to the smashing successes of Tom Sawyer and The Camera Eye, but the great funky dynamics of the song give Rush's music a whole new dimension. The great funky chorus and verses really accent the album with some really cool effects. Geddy shows off his funky bass ability and Lifeson shows off his great jazz chord ability as the whole band meshes into one cohesive and impressive body.

ALBUM OVERALL: This album is the quintessential Rush album. Every single song, from Tom Sawyer to Vital Sings, is a smash hit, a classic, and a model for every band who ever liked Rush (which is most of them). Every single second of the 40 minute long album is intensely enjoyable and never do you wonder "why did they put this on the album?" Overall, the album is just a pure classic and a masterpiece of progressive and proto-metal music! 5 stars.

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