DEPOIS DO FIM

"Depois do Fim" is widely recognized as the most important album of Brazilian progressive rock. Even though it was a late work in relation to the peak of prog in the 70s, it has established itself as a timeless masterpiece, mixing the symphonic grandeur of the genre with a unique musical identity that reflects both the richness of MPB and classical and folk influences.

The production is notable for the balance between dense instrumentation and sonic clarity, something impressive for an album of the time. The crystalline tones of Mário Neto's guitar, full of subtle delays, sound like the best moments of Steve Hackett (Genesis) and Andy Latimer (Camel), without losing the Brazilian touch. The album also stands out for its rhythmic and harmonic variety, bringing elements of classical music and MPB. This is noticeable, for example, in the flutes and acoustic guitars that create bucolic passages contrasting with moments of pure instrumental virtuosity. The opening track "UFO" sets the epic tone for the album: a piece full of tension and changes in tempo, reminiscent of a science fiction sound narrative. "Smog Alado", in turn, features the unmistakable voice of Jane Duboc, whose interpretation carries a lyricism and theatricality that elevate the composition. The guitar solos, often melancholic and spatial, reveal a strong influence of Floydian aesthetics, while the transitions between soft moments and instrumental explosions refer to the best of European symphonic prog.

For Brazilian progressive rock, the album represents the creative peak of the genre in the country, often being compared to giants such as Close to the Edge (Yes) and Moonmadness (Camel). The fusion of technical refinement and emotional expressiveness makes Depois do Fim transcend labels, being a timeless experience for any lover of progressive music.

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