ALAS

It's surprising that Alas has only 3-something stars here. This record is a masterpiece of what musical progression really means.

Alas is a progressive rock band from Buenos Aires, Argentina, that started in the 1970s. They are known for mixing symphonic rock, jazz fusion, and Argentine folk music to create a unique and experimental sound. Their music often has complex instrumental arrangements and long compositions. The band was led by keyboardist Gustavo Moretto and had a short but important presence in Argentina's progressive rock scene.

Alas (1975) is the band's self-titled debut album and an important piece of Argentina's progressive rock history. It has only two long tracks?"Buenos Aires solo es piedra" and "La muerte contada por un taxímetro." These songs show a mix of jazz fusion, symphonic rock, and folk influences, typical of the 1970s Argentine prog scene.

The album stands out for its experimental approach, combining powerful instrumental sections with a strong emotional feel. Gustavo Moretto's use of synthesizers and keyboards, along with Carlos Riganti's dynamic drumming and Alex Zucker's bass, make the sound rich and sometimes meditative.

1. Buenos Aires solo es piedra (Buenos Aires Is Only Stone) This first track is a long, symphonic journey that starts with a calm feeling, like walking through the city streets of Buenos Aires. The band starts with soft keyboards and gentle rhythms, slowly building up the intensity. Moretto's keyboards are the main focus, with both melodic and abstract moments. Jazz elements, especially in the rhythm section, add a feeling of surprise and complexity. The song moves between calm and intense parts, painting a musical picture of a complicated city. There are also some folk elements that reflect Argentina's cultural roots.

2. La muerte contada por un taxímetro (Death Told by a Taximeter) This track is more experimental and abstract. It's darker and more intense than the first one. The title suggests a surreal story, like someone narrating a strange or existential journey through city streets. The track starts with a serious tone, using haunting keyboard melodies and dissonant rhythms. As it goes on, there are moments of jazz improvisation and avant-garde experimentation, with each instrument adding depth and texture. Carlos Riganti's drumming is key here, as it moves the song through its different sections, keeping the listener on edge. This track feels like it reflects thoughts about death, set against the constant movement of the city.

Alas is a beautifully crafted Argentine progressive rock album. It blends complex musicianship with a strong sense of place and cultural identity, using Buenos Aires as both a literal and symbolic setting. In the 1970s, Argentina had a strong progressive scene, and Alas is one of the standout examples of creativity and great musicianship from South America.

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