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Threshold - Subsurface CD (album) cover

SUBSURFACE

Threshold

 

Progressive Metal

3.94 | 288 ratings

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The Crow
Prog Reviewer
3 stars "Subsurface" was released in 2004 under the InsideOut Music label. Like many of Threshold's albums, it was recorded at Thin Ice Studios and Bray Studios. The production was handled by guitarist Karl Groom, with Richard West co-producing. The album cover was designed by Thomas Ewerhard, whose distinctive style has become synonymous with the band's aesthetic.

Stylistically, "Subsurface" follows the melodic progressive metal formula that Threshold had refined over previous albums. It maintains a balance between intricate musicianship and accessible songwriting. The production is polished, with a clear, modern sound that complements the atmospheric layers of keyboards and dynamic guitar work. Vocally, Andrew "Mac" McDermott delivers one of his most emotive performances, with lyrics that dive into societal and political themes, a hallmark of Threshold's introspective writing.

Compared to earlier albums like "Hypothetical" (2001) and "Critical Mass" (2002), "Subsurface" feels more restrained in terms of technical complexity but is more focused on melody and atmosphere. However, this approach sometimes limits the album's depth, especially in its latter half.

The first half of the album, featuring standout tracks like Mission Profile, Ground Control and The Art of Reason, is tight, engaging, and dynamic. These songs are full of energy, blending heavy riffs with memorable choruses. However, the second half of the album doesn't maintain the same momentum. Tracks like Flags and Footprints and Static feel more formulaic and lack the adventurous spirit of the earlier material, resulting in a drop in intensity and creativity.

So while "Subsurface" starts strong with excellent songwriting and production, its weaker second half prevents it from reaching the heights of its predecessors.

Best Tracks: Mission Profile (one of Threshold's finest opening tracks), Ground Control (another trademark song, with all the good elements of the band's music), The Art of Reason (the most epic song of the album, reminiscent of discs like "Clone" or "Hypothetical") and Pressure (good heavy-prog track)

The Crow | 3/5 |

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