HOUSE OF THE MIND

It was only when recently reviewing the latest opus from Comedy of Errors that I realised I had somehow missed their 2017 album, 'House of the Mind'. This was their fourth album since they got back together, and of course there have been two more since then. At this point they were releasing an album every two years, something somewhat unusual for bands from the Neo scene, as while most had a heavy release schedule in the Nineties it had somewhat diminished in recent years. But given they were not active at all for 20 years perhaps they were making up for lost time.

Unlike many of the bands who started making a name for themselves in the Neo scene in the 90's and beyond, CofE are from an earlier era, having been formed in 1984 by Joe Cairney (vocals) and Jim Johnston (keyboards), who are still there in the current day. They recorded with Rog Patterson (who recently has been found opening for Pendragon on their recent tour), and due possibly to their geographical remoteness from the South have always pursued their own path, with this album being very much a case in point as while there are obvious Yes and Genesis influences, as well as bombastic symphonic, there is also a definite nod to Horslips. Joe's vocals are not diminished by age, and even though they utilise two guitarists in Mark Spalding (who was in the band from very early days) and Sam McCulloch, it is Jim Johnston who normally provides the attack with the guitars coming in over the top to provide additional emphasis at the right time. They are quite different to many prog bands with twin guitars, such as Final Conflict, as for them the twin leads are about drama and effect. The line-up is completed by John Fitzgerald (bass) and Bruce Levick (drums) who provide the foundation for the band to move and swirl in sound.

Although still Neo, which means some progheads will naysay the music without even listening to it, there is a large symphonic feel to this album which was released on vinyl as five tracks and 41 minutes, while the CD has one more and an additional nine. Their music has a somewhat commercial approach, which makes it very easy to listen to and get inside, yet there are also hidden depths which means the more it is played the more there is to discover, moving from pastoral orchestral to music which hard rock guitar and all forms of prog in between. I am late to the party on this one, but I am so glad I finally discovered it as this is yet another great release which is well worth discovering if you enjoy Neo.