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SEASONS ENDMarillionNeo-Prog3.79 | 1042 ratings |
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![]() The music even has the same taste of its predecessors, but now with a new voice. Hogarth has a good voice, much different than Fish, but very personal. In Seasons End, he uses his voice in a way, that he would not use anymore in the subsequent albums. The best tracks: The King of Sunset Town: Great track. A neoprogressive number, domined by the Rothery's guitar and a great performance of Hogarth. Eastern: Maybe the best of the album. The track starts as a prog ballad with acoustic guitars and a great melody line very well sung by Hogarth. Then Kelly put some keys inputs, and all flows into an outstanding electric solo by Rothery, after that the track mutates to a moved and non conventional way in which the keyboards, the guitar and Hogarth creates a very good atmosphere. The space: Another prog one. A rather long track with two different parts. The first one with a good verse and chorus over a great keyboard work. After a guitar solo, the track gets into a different and dramatic ending in which Hogarth stands out again. The other tracks: Uninvited guest and After me are two prog-pop tracks, with good solos (guitar and keyboard in each one). Berlin is a neoprog an agressive song, with a good guitar riff support. Seasons End is a quiet and long prog track, that I really like. Hooks in you and Holloway girl are the weakest side. Hooks in you is a short hard guitar riff based track. Not so bad but a bit mediocre. Holloway girl, just a humdrum song, with nothing to say about it. As an average is a good effort, and I consider it a good addition. Four stars.
genbanks |
4/5 |
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