PICTURE MUSIC

1. Totem with a slow melodic tune, not a crescendo that makes you vibrate with its rise; here a repetitive and throbbing electronic pad which allows the keys of the synths to go here and there throughout the musical space; a title that doesn't catch as much as the one before or those after it, a more electronic essay and not intimate enough, not intoxicating enough, not contemplative enough; yes when we are used to very good a little less and the whole atmosphere collapses; yes, too much on the easy sounds that JM JARRE will take up again next year... yes, the more symphonic and more tinkered finale leaves a little more regret.

2. Mental Door changes, for the better; a sound ripple, a musical jolt, an overloop search, you know when it's spinning and you can't get out of it; a synth note which swirls during the first third and which announces a surge with the presence of a drum, don't forget that he was a drummer before with TANGERINE DREAM; in short it goes in all directions, it's more cheerful, more lively than many of his titles, it's quite interesting to have missed it and to dive into it now; I find less emotion but is this due to the fact that I have fewer memories to cling to or actually cling to? In short, the fact is that the vibration is less intense and this raises the question: were we addicted to music 50 years ago, did we already want to have our Rollex so as not to miss out on life or were we in a form of recklessness by stuffing ourselves with the little that passed under our ears?