PRIMITIVE GUITARS

Here is Phil Manzanera as not just the guitarist, but as a multi-instrumentalist. His signature style spans a genre-busting range, from bluesy guitar over jazz-funk rhythms ("Caracas," the title generously hinting at a party atmosphere song), folk stylings ("Criollo," again the title being evocative, this time of the traditional sounds of the Spanish-speaking Caribbean), and minimalist synths ("Europe 70-1").

Manzanera's flair for geographical references here is a nod to his roots as well as contemplation on the future possibilities of Latin progressive rock, in this case looking from the standpoint of the year 1982. It was also very much in the present at the time, with enduring pieces like "Impossible Guitar" and "Big Dome," the latter of which could fit into a house music mix.

The big bonus of the album is the collection of interstitial recordings laden with studio chatter and an eclectic set of tapes. It's the sonic equivalent of breaking the fourth wall, and the listener is invited to listen to the processes of sound across the album. One treat is, following the echoey guitarscape of "Bogota," a background sing-a-long of "Gun" by John Cale, which also featured Manzanera.

Recommended for: laid-back, reflective listening, with a few tracks that are dance party ready.