JONAH HEX: REVENGE GETS UGLY EP

For people who, like me were unsure whether this EP would suite their tastes, or whether it was even a good move for the band, I highly recommend that you give it a try. Mastodon don't seem like the type of band to release this kind of non-studio album career aside, given their penchant for serious concept albums, their growing progressive rock leanings and their almost unrivaled artistic vision. I can fully Sundstrand if fans are skeptical of this release but I can gladly say that this EP is no disappointment and the quality of writing is up to a very high standard indeed

The EP opens up with `Death March,' a slightly creepy intro that has something of Pink Floyd's `Empty Spaces,' about it, while retaining that signature Mastodon sound. The instrumental nature of the tune, its slow menacing building and the bleak atmosphere which it creates suggest a Neurosis influence and are also oddly close to the spirit in which tracks like `Old Nessie,' and `Hearts Alive,' are written. It takes a full five minutes before the drums properly come in, at which point the song opens up and really feels like an official Mastodon track.

The second track, `Clayton Boys,' even breaks out into a fast and heavy ending which sounds like it could be off either of their two most recent studio albums. `Indian Theme,' is just a Mastodon song in every way, in the spirit of `Blade Catcher,' and `Quintesence,' and I could honestly see the band playing it in concert from now on,

The final unique track (the two last songs are alternative versions of the first two) `Train Assault,' is superb; it is truly fantastic and evocative Mastodon music, with all the passion and progressive leanings of the best moments from Blood Mountain and would feel welcome on any Mastodon best of compilation or playlist. If you aren't sure if this EP is for you, listen to `Train Assault,' and you will be have probably purchased the EP before the track has finished.

The production is better than you may be expecting too, given the nature of the project. Only the lack of Vocals, the cover art and the reason for its creation separate this music dramatically from the rest of the band's catalogue.

If this music were to have been released as just a new Mastodon EP, it would surely be welcomed with open arms as it fully deserves to be on purely musical merit.