GRAVE NEW WORLD

"Grave New World", released in 1972, is the fourth studio album from the British folk/prog band Strawbs, formed in 1964 under the name of Strawberry Hill Boys. The album continues on the same path as the band took with the previous release "From The Witchwood", adding more symphonic elements to their originally folk- tinged sound as a result of John Ford joining the band and influencing the sound. This was met with disapproval from one of the founding members Tony Hooper who left the band after the recording sessions.

My impression of Strawbs in general is that they have a more palatable sound than other classic prog groups such as Yes and King Crimson. Many of Strawbs' songs are of the sort you could play in the background during a family dinner without anybody complaining (speaking from my own experience). "Grave New World" is a good mix of more accessible tunes and full-on prog songs you could never play during a cocktail party. While you can hear the prog influences, you will probably find some similarities to the Beatles' late era.

Speaking of the album's sound in general, it sticks to its roots in folk rock when it comes to the acoustic guitar, which is present on almost every song. The prog rock reveals itself in the form of symphonic composition and lots of heavy organ and mellotron arrangements. The album switches vocalists between some songs, and vocal harmonies are an important element for the album.

When it comes to highlights on the album, first of all, the opener "Benedictus" is damn near perfect with its beautiful vocal harmonies, powerful organ and acoustic guitar work. "Heavy Disguise" works really well with the acoustic guitar and brass instruments. "New World" is another amazing song with exquisite orchestration and strong vocals. "The Flower And The Young Man" is another song where the vocal harmonies are beautifully put together. The very proggy "Tomorrow" has a smashing guitar solo as well as nice organ work. Lastly, I really appreciate the sitar on "Is It Today, Lord?".

I would say that my issue with the album, while it does not necessarily have to be a problem for everyone, is that it tends to sound incohesive between the songs, making it sound more like a song collection than an album. For example, putting the more experimental track "Queen Of Dreams" right after "Benedictus" and a quiet acoustic interlude does not do any good for the flow of the album, nor the fact that they switch between different vocalists.

All considered, I give this album a good score of 7,5/10. Recommended for pretty much any fan of classic prog, especially Yes and Jethro Tull.