IO NON SO DA DOVE VENGO E NON SO DOVE MAI ANDRÒ, UOMO È IL NOME CHE MI HAN DATO

I wonder why this not so little of a masterpiece is not higher rated than it's the case - maybe due to the rather plain main theme, even it's otherwise very sophisticated concept album. In his book, "Scented Gardens Of The Mind. A guide to the golden era of progressive rock (1968 - 1980) in more than 20 European countries", Dag Erik Asbjørnsen writes no less than: "If one masterpiece should be singled out as the jewel of Italian rock, my vote would go to De De Lind's one-and-only album...". Well, I guess not many people would agree with that but I'm sure curious about reasons for the present ratings - even yes, I have some thoughts about it.