ONE

Some speak better or worse Neal Morse in its early Spock's Beard, but is considering his musical evolution and after leaving the group, I think that it alone "is more productive." The album in question is what is most progressive and most symphonic of the artist. With pleasant melodies and able to stick his head quickly as the guitars of "The Man's Gone" or even exploring the various sounds of your synthesizer in "The Creation" as well as great energy Fender guitars (I love), despite having Mike Portnoy the drums is not given to exaggeration technical at the expense of rhythmic and melodic beauty, while the melodies of songs in their long married subparts not become tiresome. "Author of Confusion" would GENTLE GIANT proud, with vocal arrangements inspired by the same but still not sounding like a copy, in addition to arrangements following a line like "soundtrack" the creativity of such melodies. "Help me" with the remarkable line of beautiful piano and guitar solo. For me it's better than Neal today (because the "Sola Scriptura" follows a more metal); letters clear and spiritual, yet they have already heard skeptical statements confessing to the beauty of this work, you do not notice the lyrics. Essential