A FAREWELL TO KINGS

With Farewell to Kings starts the Rush's classic era, that last for four albums.

Side A. Farewell to Kings. Acoustic guitar, intro for a minute, then electric guitar, then first verse, beautiful pressing, syncopated chorus bit slow, new verse and chorus, electric guitar solo, refrain. Nice rock, the verse is better than the chorus. Rating 8.

Xanadu start with electronic atmospheric sounds, percussion, bells, then the guitar (Lifeson) takes the control and around the two minutes Peart's bass is at work. The music continues on its own for up to 5 minutes, when, once the guitar tour is over, it returns to the starting point and finally the singing begins at first calm, then with rhythm. At a certain point the rhythm becomes syncopated and similar to the initial theme, then the music stops and the synths arrive. The ending with an overwhelming guitar is perhaps the best thing in this mini-suite that doesn't take off. Overall, rating 7.5.

Side B. The first song begins as an acoustic ballad, which gradually becomes faster and more electric, and in fact ends as a hard rock but very pop song - in some moments they remember the Queen. Rating 6.5. The quality of the disc is falling dramatically.

Cinderella Man starts with a powerful riff on the electric guitar but then develops again as an acoustic song. Lee's voice struggles to adjust to the changes in mood and feeling that music evokes. The text is inspired, and flies high, it is certainly not that of heavy metal. The constant changes of rhythm and atmosphere outline a certain indecision but make the piece unpredictable. Bass sounds are the best part of the song. Final with guitar solo, return of the refrain and syncopated rhythm. Rush believe in what they do, but we are in the commercial and melodic hard-pop world without great pretensions. The difference with pop music is mainly due to the continuous changes of time and arrangement (as well as the technique of the musicians). Rating 7+.

Madrigal is a short and insignificant acoustic ballad, without even a variation. We went down quite low. Rating 5.

The record ends with the Cignus mini suite which starts with electronic sounds that are prolonged too long. The drums come in around two and a half minutes, and then with the guitar they outlines various syncopated instrumental parts that repeat a little too much. Up to 5 minutes, if you take away the technical ability of the musicians, what is left of music? Very little. When Lee's voice comes, the situation improves. Fortunately, we are already halfway through the suite! The rhythm increases and finally there is a enthralling rock piece that continues with the electric guitar. Then, around 7 minutes, the music stops on an obsessive phrase on the guitar, which with electronic noises creates a thriller atmosphere. Finally comes the final paroxysm: amplified guitar, deafening drums, screamed voice. Sensationalistic ending. But then they leave a guitar fade of almost a minute. The second part of the mini suite is very good, but in fact this song should last half the time. Rating 7,5/8.

In conclusion, Rush release an interlocutory disc, with a good initial song and- two not entirely successful suites, which only at times justify their length. The three short and semi-acoustic tracks on the second side are rather anonymous. This is not a masterpiece. Absolutely.

Medium quality of the songs: 7. But without Madrigal (very short) is 7,4. We are between two and three stars. But overall I think three stars are the right evaluation. Rating 7+.