IN THROUGH THE OUT DOOR

1. In the Evening... the intro that made me love prog! Yes, a latent sound, a vector unknown.... musical on the outlet and the pan pan, John's drums which will deliver heavy blows on his pads during this monolithic title; boutoir which intermingles, yes this break before the hour which makes you prick up your ears; it's the second impulse effect and... the killer solo, one of the most beautiful and simplest for me, the use of the Gizmotron also to make your hair stand up, in short master! 2. South Bound Saître radically changes its sound and its atmosphere with this boogie-folk tune and John Paul on the piano; a guitar so dry that it sounds like a harmonica and the hectic piece that flows on its own, fortunately it speeds up a bit at the end otherwise I was starting to get bored 3. Fool in the Rain on a metronomic tune and always this drumming which traces the group's trademark; piano and guitar accompany Robert in this Latin American tune; yes with the whistle the festive train sets in motion in these regions; salsa, swaying pool, where did the punchy rock of LED ZEP go? A fat guitar solo and a lit arpeggio at the end prevents further boredom 4. Hot Dog with the piano again for a folk song I'm waiting to see if Elvis or Jerry Lee will show up from behind; Jimmy twists to release a western counter solo, south of Louisiana or Spain because yes that's often where the westerns were filmed, go learn the dance step

5. Carouselambra and the piece that I never understood, assimilated; an annoying keyboard on a thunderous tune, a voice too far behind, on the verge of saturation, no I didn't understand and 10 years since I threw myself into it, it's the same; I always need these 4 minutes to finally see a prog feature, a vibrant atmosphere that catches the eye; maybe I missed the train? The Gizmotron gives a little heat but it's not enough for them, they could have done better; the mid-tempo slowed down sound with this air which seems to slow down on its own, which vibrates, yes the soaring side finally arrives; bam 7 minutes and we go back to an avant-garde region with synth and effects à la VANGELIS; again this end of piece which drags without hooking effect, flute 6. All My Love is coming... I'm taking the time, the second piece after 'In the Evening' really worthwhile; this tempo, this slide guitar no you would believe it, this spleen melody, a slow from the time when slows allowed you to start a conversation without being called perverts, predators, dirty guys; all my love yes you are everything to me my girlfriend, already 10 living near each other; phew the synth solo comes to stop my sentimental drift, wow this piece is good, fresh, clear, airy, wow this guitar yes Jimmy it can be recognized from afar you too must be fall in love; the only end that I would want without end; Fortunately 7. I'm Gonna Crawl extends this feeling with another warm, sensual, suave track, yes, with a solo that stirs your insides; LED ZEPPELIN was on the downward slope, they explored different sounds but too far from each other and that lost them, but this is a title that I think PRINCE would not have denied and on which he must have even drawn inspiration; a screaming voice, a solo, synths and drums that set fire, beautiful moment.