COMEDIA - INFERNO

Pervy Perkin is a prog metal band to Spanish opera conceptual trend, which I knew by chance in 2014 with "Ink". They played before under the name HYBRID BLOOD. The cool trends blend with those more "nags" (I like that word!) That you can find easily on metal CDs strong, kind and dark death metal. However, I was surprised by their compositions drawers where the same prog gasoline should be sought throughout the album. In terms of influences, I see a bit of CASPIAN, of Arcturus, of FAITH NO MORE, from COMMUNIC and MEGADETH for the characteristic rhythmic and nervous. As for the texts, "Comedia: Inferno" is a concept album based on the first part of "The Divine Comedy" by Dante Alighieri, "Inferno"

"Abandon All Hope" starts with a wild intro, sounds of animals in the background and then an explosion sound equally wild, not far from death-heavy movement and a more basic tirade, the opposite of the first draft; a crescendo with guitar and organ gives a solemn tone. "The Tempest" drives the point to the death-doom-heavy metal, one of the PROG fans prefer not to listen: this is the grape for each sound. This is an opportunity to divert us with an acoustic limit almost hovering break up a development overlooking memories of that FAITH NO MORE, MEGADETH or Disillusion could do in their time. That is varied on a metal prog forceful rhythmic line; female voices give a little more cachet. "Three Throats" continues on a more groove line and it becomes vanguard made with sheared guitars. Voice hardly chopped spoken then a big riff evolution and fruity solo and rhythmic metal, synthetic in the end! "All For Gold" explores a singular composition combining many kinds of metal but always with alternative rock passages, fusion or jazz drifting moments. It is not far musical follies ASPERA, the same IHSAHN FRANK ZAPPA. It raked off. The end to the planing limit throwing even more trouble on their musical projects or trends, one of the most beautiful in my opinion anyway. "Row" takes us on an almost danceable rhythm with soft voices returning the ball to a heavy acceleration; MERCYFUL FATE is not far away at that time! Voice hardly chopped spoken then a big riff evolution and fruity solo and rhythmic metal, synthetic in the end! "All For Gold" explores a singular composition combining many kinds of metal but always with alternative rock passages, fusion or jazz drifting moments. It is not far musical follies ASPERA, the same IHSAHN FRANK ZAPPA. It raked off. The end to the planing limit throwing even more trouble on their musical projects or trends, one of the most beautiful in my opinion anyway. "Row" takes us on an almost danceable rhythm with soft voices returning the ball to a heavy acceleration; MERCYFUL FATE is not far away at that time! Voice hardly chopped spoken then a big riff evolution and fruity solo and rhythmic metal, synthetic in the end! "All For Gold" explores a singular composition combining many kinds of metal but always with alternative rock passages, fusion or jazz drifting moments. It is not far musical follies ASPERA, the same IHSAHN FRANK ZAPPA. It raked off. The end to the planing limit throwing even more trouble on their musical projects or trends, one of the most beautiful in my opinion anyway. "Row" takes us on an almost danceable rhythm with soft voices returning the ball to a heavy acceleration; MERCYFUL FATE is not far away at that time! "All For Gold" explores a singular composition combining many kinds of metal but always with alternative rock passages, fusion or jazz drifting moments. It is not far musical follies ASPERA, the same IHSAHN FRANK ZAPPA. It raked off. The end to the planing limit throwing even more trouble on their musical projects or trends, one of the most beautiful in my opinion anyway. "Row" takes us on an almost danceable rhythm with soft voices returning the ball to a heavy acceleration; MERCYFUL FATE is not far away at that time! "All For Gold" explores a singular composition combining many kinds of metal but always with alternative rock passages, fusion or jazz drifting moments. It is not far musical follies ASPERA, the same IHSAHN FRANK ZAPPA. It raked off. The end to the planing limit throwing even more trouble on their musical projects or trends, one of the most beautiful in my opinion anyway. "Row" takes us on an almost danceable rhythm with soft voices returning the ball to a heavy acceleration; MERCYFUL FATE is not far away at that time! The end to the planing limit throwing even more trouble on their musical projects or trends, one of the most beautiful in my opinion anyway. "Row" takes us on an almost danceable rhythm with soft voices returning the ball to a heavy acceleration; MERCYFUL FATE is not far away at that time! The end to the planing limit throwing even more trouble on their musical projects or trends, one of the most beautiful in my opinion anyway. "Row" takes us on an almost danceable rhythm with soft voices returning the ball to a heavy acceleration; MERCYFUL FATE is not far away at that time!

"Open Casket" is the cheek with an air more ambient, yes! With a typical prog looking for energetic convolutions and built. A cool jazzy synth in the middle (innovative I tell you), but also singular! Comes together "Cult Of Blood" to the jazzy atmosphere bringing its flood of sound, éructées voice, frantic pace; then an instrumental atmosphere with nervous riff, successive solos; heavier final return. It is not far from Hell! "Malebolge" with its 15minutes difficult to review !!! We had everything from the beginning of the CD here it's just a pot boiling: the lava turns to the bottom and MEGADETH confused footsteps one feels for the similar voice and rhythm. The theatrics of ZAPPA and creating IHSAHN. the physical one feels the frenzied vocal jousting, delusions of FAITH NO MORE accelerated. This title is a drawer maelstrom, a summary of what the prog crossover can make more intense (extreme?) At the metal- prog! Please note, we do not come out unscathed! "Worm Angel" closing the album with a title more pompous and a crescendo with a hoarse voice and sound even crazy to ZAPPA (louder course)! Then an explosion which for me goes more in the prog world! A columnist speaks about a churning of different styles. I confirm. "Worm Angel" closing the album with a title more pompous and a crescendo with a hoarse voice and sound even crazy to ZAPPA (louder course)! Then an explosion which for me goes more in the prog world! A columnist speaks about a churning of different styles. I confirm. "Worm Angel" closing the album with a title more pompous and a crescendo with a hoarse voice and sound even crazy to ZAPPA (louder course)! Then an explosion which for me goes more in the prog world! A columnist speaks about a churning of different styles. I confirm.

To end a little more objective, I would say "Comedia: Inferno" is the most successful of this group album, mixing here and there all possible alternative rock sounds: the only subgroup that I do not have finally recognized the djent movement is already extreme in itself but keeps a normal frame in terms of sound. Here, the stage is finally planted with the title of the album. Some came sequences of Hell with tablecloths recalling that the heavens are not so far away. The musicians give heart-joy, beautiful same way, but the combination of verbal and musical floods also jerky can hurt an unprepared listener.