TWANG BAR KING

"Lone Rhino", the set of the former work, and the method of risk and the overall catching might be suitable for this album. The idea that he cultivated with David Bowie and Talking Heads is satisfactorily demonstrated with his initial work. Of course, his creation is not few the fan that feels puzzled in the directionality of KC in the 80's because it was brought in to KC with a few ideas either.

However, the sense of Belew might already have been established by his character, knowledge, and technology. His existence worked to some degree in the band of Zappa. And, those flows are guessed to have expanded the width of the creation in the Solo album because it is digested surely. His personal creativity and the music character appeared remarkably in the work at this time. However, the idea of Talking Heads and the influence in KC might be able to be found a little.

The drum player is put out, and it is accompanied and he has put out the form of the band to belonging exclusively forward further in this album in "Lone Rhino" of the former work though he played the drum. This produced album makes almost the same musician as the former work participate and if directionality and the composition are considered, might be a work that should think as a pair.

As for "I Wonder" and "Another Time", etc. with an active impression his taste is satisfactorily demonstrated. And, the idea from which the melody of "The Man In Moon" of the former work is invented by reversely rotating the tape is adopted and the idea shown in "She Is Not Dead" is finished up in a new tune.

It will be able to know depth and the challenge of his music by listening to an initial work if it knows the root of his character and music in the upcoming album though the work of Inst is adopted.