COME IN UN'ULTIMA CENA

The first proper album in 3 years sees album developed to a more down-to-earth version of progressive rock. Gone are keyboard layers, propulsive soloing and notes all over the place. Having a religious concept, the band chose quite a terrible cover for a concept prog-rock album. Vocals are good as usual, less dramatic this time.

"A cena per esemptio" has a nice melody but shocks but being quite subdued. "Il ragno" brings the band closer to the days of glory and more complex sound with confident keyboard playing. "Si dice che i delfini parlino" has extensive organ and synthesizer exposure. The last track is quite intensive with typical band's full sound, frequent drumming changes.

This album shows somewhat audible fatigue of the band that might have needed a new impulse.