WIRED

He might always be apart from others for the Music's world and the talent that always invents a reformative creation be work that other musicians cannot mimic it. This "Wired" will be able to be counted surely as one of the masterpieces of him in the history of his music as well as "Blow By Blow" that has been announced in 1975.

It is guessed that the time that disappears naturally when Beck, Bogert, and Appice act about the music was time when the place of a hardship and a new creation is requested for Beck. Interim Beck gradually expanded width for the following creation. And, album "Blow By Blow" that had been announced in 1975 became a hit worldwide. The flow becomes a good flow for Beck. The effort that Beck had cultivated was not useless though BBA had disappeared. And, competing with Beck is felt and participation as the guest of the album of UPP that really derived to the band can also feel area and his flexible of Beck challenge to music.

It rushes into including him in the age of Crossover/Fusion in the age by "Blow By Blow" announced in 1975. He is having them establish the road that directionality and he of new music should do by this album. Around Beck at this time, it is also true that those flows existed. The situation in which he was besieged was natural. He doesn't allow them to collect the song and in coming make the album to fight only by the performance, it is also true that the musician who had the element to decide his directionality around Beck existed. And, it is said that album "Spectrum" that drum player's Billy Cobhum had announced in 1973 became an entrance where it influences and Beck creates the album only of the performance to Beck a little in one opinion.

Jeff Beck dared the tour after "Blow By Blow" was announced and led them to the success. It participates in the recording as a guest at almost the same time and "Journey To Love" of Solo Album of Stanley Clarke. It is guessed that the devotion of Crossover/Fusion to the world was established for Beck almost completely. And, Beck begins the production of a new album again. And, the completed album is this "Wired".

A guest variegated as for this album that receives familiar, work with Beatles deep George Martin in the producer and is produced is participating. The Bass player is Wilbur Bascomb. It is Narada Michael Walden, Richard Bailey, and Ed Green in the drum player. Bailey participated in the recording of "Blow By Blow". By the way, Narada is said, "I can be likely never to do the performance done in this album" by the following interview. It is felt that the zeal of Narada is also very wonderful. The keyboard player is Max Middleton. Middleton and Beck are association from the start in the 70's. The tune that had arisen by composing Middleton really supported Beck from the under. Jan Hammer takes charge of the synthesizer. Hammer supports fact Beck creation. The group and Beck of Hammer accomplish competing in live. It might not have been achieved if there was no strong trust.

"Led Boots" It starts by Riff of a strong drum and the exploding guitar. Bass becomes double so that synthesizer Bass by Moog may come in succession, too and supports the soundscape. It can ..the dash feeling.. know the ability of the zeal of Beck and the composition of Middleton.

"Come Dancing" advances with the taste of the rhythm of Funk. If the rhythm is not important, this tune might be a tune not approved. Free Solo of Beck can be satisfied by putting on the rhythm that exists in the basis. The work of the guitar and Hammer of Beck with the element of Blues is a little good each other. A comfortable tension and a steady rhythm will consent the listener.

"Goodbye Pork Pie Hat" is this album and the only cover. It has the element of slow Blues and the creation of Beck makes us listen to a threat technology. How to use of the volume. And, I think that only he is good at his Bending.

"Head For Backstage Pass" gives the impression that Bass of Wilbur Bascomb performed in fast Passage is comfortable. Bass and the drum are taken an active part to this tune. Bascomb takes charge of the composition. Therefore, it is guessed the tune that arose from his idea.

"Blue Wind" is a tune with which the talent of Jan Hammer overflows. This tune became one of the tunes of the representative of Beck. The credit of the tune is two people (Beck and Hammer). Two tunes that made it have overwhelming magic. The battle of the guitar and the synthesizer will excite the listener.

"Sophie" flows with the element kept from the melody with which the anacatesthesia overflows. Narada that makes such a tune really has the talent. Riff of the guitar that adds a sensual melody to an intense rhythm is wonderful. The flow that twines Clavinette of Middleton and puts fast and slow has succeeded, too.

The guitar and the synthesizer of "Play With Me" are masterpieces. The humour of Hammer that mimics the habit of the melody of Beck is put on the pleasing rhythm and progresses a little. The part where the condition of the melody changes from the part of Funk is a comfortable element. Impressive Riff on the way also has [**] indeed well.

A moving melody of "Love Is Green" is a beautiful tune that can recognize the existence of Beck again. His talent will be shown and the piano that Narada plays be asked to the listener renewing saying that it is a person necessary for this album.

The listener might be good and it know whether it is an album "Blow By Blow" and "Wired" are very important for Beck. And, the magic that the musician who had surrounded Beck caused is carved for people's minds with the shine still.