NHOOHR

Morton Birkeland Nielsen from Norway is the solo artist who is behind the project known as 'Briedablik', a Progressive Electronic project started in 2012. His music is influenced by the Berlin School. He has released 3 full length albums up to this point, including 'Nhoohr' released in February of 2019. His music is mostly ambient and atmospheric, reminiscent of sparseness and majesty. The album is a product from the Bergen School of Electronic Music.

'Arrival' is a short introductory piece that reflects the ambient yet beautiful style that evokes mindscapes of cold, dark and lonely landscapes. The music is in no hurry to paint a picture. At the end, there is a raspy cry of a crow. 'At the Windswept Plains of Nhoohr' quickly paints the scene of a wintery, sparseness with sustained notes and atmospheric effects. Soon, a repeating electronic loop creates a feeling of movement as cold effects continue, metallic sounds, water flowing, wind and so on. Soon a slow electronic improvised melody is established. Later, there are sustained and slow changes, interesting effects, as the loop continues on. At around 7 minutes, a 2nd loop shadows the first, but then that soon all fades out as effects continue. A new electronic theme comes in around 9 minutes with an almost vocal effect also joins for a short time. This is soon replaced by a drone and soon an organ plays a slowly descending pattern over it all. Before 13 minutes, the loop returns with sustained synth chords ebbing and flowing. After 14 minutes, it all fades.

'Clouddancing' starts with wind chimes tinkling and a synth and guitar establish a native style melody. There is also a softly thumping bass that emulates a steady drum beat. After a few minutes, this fades and there are sustained chords and effects that slowly build. Around 6 minutes, an electronic loop starts and atmospheric synths give a celestial atmosphere of floating. Again, the wind chime effect comes in and everything eventually fades after 10 minutes.

'The Old Forest' fades in with chirping birds, wind effects and an acoustic guitar playing softly. Soon another one joins it. They stop after a while and the natural sounds continue with a loon, running water, crows cawing. A dark ambient synth comes in playing slow chord changes. Brighter synths also come in playing a barely discernable melody, but it's a nice sound. Birds soon come in again. Then the acoustic guitar comes back, but more upfront this time accompanied by beautiful synths and this continues until after 6 minutes.

'Strange Lands' starts with low droning synths. Spacey effects come in while another synth plays a melody. Things stay mostly ambient with the spaciness continuing until after 5 minutes. More natural sounds as a warbling synth comes in and more mysterious sounding effects. Things intensify a bit with the addition of a synth-bass loop. The track continues with the style of interesting effects until after 11 minutes when it fades.

'Perihelion' utilizes a bright loop and soft percussion as chords ebb and flow in a more commercial style track, not too unlike Tangerine Dream. As it continues, it becomes quite lush. The bonus track from Bandcamp is called 'Shadows' and is also just over 5 minutes like the previous track. It is a slow moving track with synth chords and halfway through, a low drone comes in and everything builds to a nice climax. You can imagine the sun rising on a frozen tundra that hasn't seen the sun in months.

The overall sound on this album is ambient, yet it is also melodic to a certain degree. The biggest surprise was on the lovely track 'The Old Forest' with the use of acoustic guitars. Other than that, this is mostly electronic music that moves slowly, but echoes of wide, frozen expanses. I am glad that there isn't a lot of percussion on here since it is mostly electronic and it gives credence to the dark ambience that permeates most of the album. It isn't for everyone, but as far as ambient electronica, it is very well done with a few nice surprises tucked away for those that are patient.