DHORIMVISKHA

The album "Dhorimviskha" created by a brilliant Japanese Zeuhl project KOENJI HYAKKEI has been released into the progressive rock scene in the summer 2018. Every track has an eccentric title (don't know what manner they give such a funky title to a track in), weird melody lines, complicated rhythmic bases, or incredibly technical instrument activities. Surely you can feel it should be an enjoyable creation as well. Or let me say, you can run away from the real serious world through the material in this opus definitely.

They use multi-rhythmic phrases in a repetitive manner, based upon critical drumming, seasoned fantastically with Ah's high-tone voices, Keiko's funkadelic wind instrument plays, Kengo's deep, deeper bass tones, Kei's speedy guitar storm, and Taku's sincere jazzy keyboard shower. Their serious, positive, delightful play is crazy great indeed, even in a incredibly sound bizarre, and the frontman Tatsuya YOSHIDA should be crazy nasty at the drumming or percussion without doubt ... yes without any doubt. Wondering how they launch a novelty different from previous material, and for me sounds more of technique or strength, and less of creativity nor potentiality.

Of course, their performance upon stage drives you mad. I'm looking forward to their gig along with this magnificent album ... yikes.