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King Crimson - Islands CD (album) cover

ISLANDS

King Crimson

 

Eclectic Prog

3.84 | 2211 ratings

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Ludenberger
3 stars The 4th and final album of the Sinfield era, "Islands" is romantic, experimental and jazzier than ever. It holds the advantage over "Lizard" in some ways, especially because Boz Burrell, a much better vocalist (and my personal favorite), and Ian Wallace, a much more creative drummer, hop on board for this mostly relaxed album. Robert Fripp also plays a much larger role, exemplified with his "Sailor's Tale" that is somewhat of a precursor to the wonderful experimentation that would happen in "Larks' Tongues in Aspic" 2 years later.

The album opens with "Formentera Lady," which isn't the typical King Crimson album opener expected of the previous albums, but it really sets the tone for an exotic experience. It begins with Keith Tippet's signature piano flourishes and some outstanding saxophone work from Mel Collins. The vocal work from Boz Burrell is some of the best on the album, and Ian Wallace's percussion in this song sounds like what was to come from players like Bill Bruford or Jamie Muir. The song is also a whopping ten minutes, but like most KC songs, it doesn't overstay its welcome.

"The Letters" is a somber song with more excellent vocals, especially near the end of the song. As I said, "Sailor's Tale" is one of the great experimental works from not only the band but also Mel Collins, however I think this song does overstay its welcome in length, especially after "Formentera Lady."

Speaking of overly long songs, one song that I've never been fond of is "Prelude: Song of the Gulls," which is pleasant for about a minute but goes absolutely nowhere. I get that it's supposed to be a calm buildup before the final track, but it's just not fulfilling enough and "Islands" just isn't as powerful as songs like "Lizard" and "The Court of the Crimson King."

Another great moment on this record is "Ladies of the Road," with harmonies comparable to that of The Beach Boys in the chorus, which is easily the highlight of the song. I also love how Mel Collins uses the saxophone on this track, making it work with a bluesy number such as this.

Overall, the record isn't nearly as strong as the previous ones, but it's pretty good regardless. 3/5

Ludenberger | 3/5 |

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