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UMMAGUMMAPink FloydPsychedelic/Space Rock3.46 | 1986 ratings |
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![]() "Ummagumma", as all PINK FLOYD albums, has been reviewed so many times than my describing the album here wouldn't be really useful. I can give reasons for the rating I'm giving it, though. The first disc, the live album, leaves me completely cold and unmoved. I don't enjoy "Astronomy Domine" that much (even though this version is better than the one in "Piper at the Gates at Dawn") and, in general, live recordings don't do it for me. The sound is weak, the performances are uneven, and the music, in this case, while not terrible is nothing extraordinaire. It sounds like a glorified jamming session between four accomplished musicians who have no idea what direction their band should ultimately take. The studio album, on the other hand, while not brilliant is actually interesting. All four members of the real PINK FLOYD (that is, Waters, Gilmour, Wright and Mason) get a chance to have their ideas played in the disc. The first one, by Wright, is very unique and quite advanced for its time as a track on a rock album. It gets lost after the brilliant beginning, but the keyboard work is good. Waters' hadn't yet acquired the songwriting talents he would later on, and that's proven by his weak contributions, which sound more like the ravings of a maniac than actual songs. Gilmour's turn to shine is actually far more pleasing, and even if at times the piece also gets lost in a sea of noise and experimentation-for-experimentation's sake, when the voice arrives it actually makes for the best moment in all the album. Finally, Mason proves us he knows how to tune drums. He proves us that he knows how to play drums. Sadly, he proves us he doesn't have the same skills to compose interesting music. The first disc gets a 1.5-star rating from me; the second gets 3.5. The average of 2.5 demands me to give this album a rating of 3 stars, as sadly I don't have any option to put it between the better "Atom Heart Mother" and the inferior "Piper at the Gates at Dawn", which have 3 and 2 stars respectively in my review catalogue. It's an important musical document, though, and it's historic value it's still a reason to warrant a recommendation.
The T |
3/5 |
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