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LAST MAN ON EARTHRelayerSymphonic Prog3.84 | 24 ratings |
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Dan Bobrowski
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Special Collaborator Honorary Collaborator |
![]() The vocals are the key here. John Sahagian has a voice that demands to be heard. He still has the Freddie Mercury inflections as I stated on the Teething Fashion review, but is more straight ahead here, then the playfulness of the past. For me, this is the strength of Relayer. The bass playing of Tom Burke really comes out in this release, nice heavy bottom, not flashy, just solid. Bill Kiser keeps things together with strong drumming and tasteful fills. Not flashy either. Simply a solid foundation for Tim Laroi's chunky guitar work. Laroi's playing is neither over the top nor understated. He plays for the song. It all seems to work in an organic fashion, everything meshes and creates a lush sonic cornucopia of tones and melodies. They aren't playing anything new or groundbreaking, what they are playing is just great music with some key prog elements; shifting gears from quiet, soft interludes to powerful climaxes, long multi-segmented tunes with odd meters, highly professional instrumental passages and well written lyrics. This is an album made to be played live. This disc would appeal to fans of Salem Hill, IZZ, Marillion, Jadis...... Queen? Only if you liked when Freddie rocked. Since this release is from 1999 and they don't appear to have a web site. I'm forced to assume they are now defunct, however I'd like to be proved wrong.
Dan Bobrowski |
4/5 |
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