LINE OF FIRE

Listen to Nimh and you will be strongly convinced that music allows us to face up the tragedy of human existence. Line of Fire was born as a conceptual album about disaster, war and resistance forces in the margins of humanity outside of the West world. Line of Fire suggests a direct dialogue, parallel with the notion of memory, mnemonic traces and the practice of spiritual meditation on collective tragedy. Line of Fire is a precious exercise of attention and listening, exploring a vast panel of concrete sounds, narratives that are progressively covered by absolutely magic like electronic buzzing effects and extended synthesised chords driving like madness & possession. The first composition works like a ritual purification, transforming our usual schemas of listening. Musically speaking, it reveals a closed relationships with old intuitive, conceptual sound experimentations from the French GRM (group of musical research) and particularly with Parmegiani and the heavenly inspired proportions of his electronic abstract orchestrations. The second composition develops relatively similar ritual droning sequences connected with over stimulating sensations. I can only regret the lack of improvement from one piece to the other, it reduced the experience to one similar theme, developed endlessly. Line of Fire remains an intense musical experience that affects our common ideas and the way to perceive sound objects. An other very distinctive album from this musical project.