LA CHUTE DE LA MAISON USHER

Maison Usher is a cross between the coldness and remoteness of Champ des Larmes and earlier Art Zoyd music for dark films and stories such as Nosferatu, Häxan etc. As such, it is a bit more accessible than Champ des Larmes (let alone Pure Noise), but still has an impersonal, immaterial, even unwelcoming feel to it. There are familiar elements such as deep church clocks, dramatic electronic textures, slow machine-like rhythms, atonal sequences, dark sound effects. Compared to Champ des Larmes the atmosphere is more dark cellar, ghosts and secrets than ice mountains. Some parts are quite minimalist, but there are also a few in which quite a lot is going on. Once more, there are no conventional song structures or melodies, but some clearer structures and contrasts, more rhythm than on Champ des Larmes, and even some piano. Champ des Larmes is more unique and innovative, but the little bit more connection with "music as we know it" here gives the listener a better chance of getting something out of it.

Art Zoyd were always very special, but they continue to develop even more into their own planet, distant and hard to connect to from anywhere wordly. Their music evokes ghosts and echoes from lost stories of the past, little to really get hold of or stand on. Whenever I listen to this I have difficulties to get into it at first, but I then realise that there is much to discover. If you can bear it, it's a rewarding experience.

3 1/2 stars.