90125

You can't call this a prog-rock album in the same vein as most of Yes' output. However, it brought them back to life after the dark times, put Horn where he really belonged, and modernised their sound. Bringing Kaye back in was a strange idea, as he really hadn't changed in style or sound - using two keyboards is never going to equate to the great arsenals that Wakeman, Moraz and Downes used - but it didn't really detract from the sound.