AT THE MOVIES

At The Movies is perhaps the most interesting of the recent Emerson rereleases. They were all recorded specifically for movie soundtracks in three different countries. The approach and process for music like this is entirely different from any other that Emerson recorded in his career.

The 67 tracks are broken down in three disc and sections, U.S., Italian, and Japanese movies. Each disc is a reflection of the silver screen in each respective country. Surely, this had to be a daunting task to accomplish. Dealing with three completely different cultures and entertainment worlds had to be most challenging. It came as no surprise to me that Emerson was up for the challenge and relished the opportunity to create this music.

While all of it was good, and undeniably, the most different set of tracks I have ever heard from Emerson, they all had their own flair, style, and flavor, capturing the unique soundtrack element as needed within each entertainment culture. I have no idea how the music matched up with the corresponding films but I am sure it worked out well.

The Japanese set was the most energetic and Emerson like if you will, out of all the sets. The Japanese Godzilla themes and all the other famous B movie monsters are in need of typically eerie sci-fi like sounds, and who could be have done a better job than Emerson to provide the necessary atmospheres with his keyboard and synthesizer wizardry. The U.S. and Italian sets are less prog- like and focus on the more contemporary and classical sounds that Emerson so easily coaxes from his instruments.

Three sets of music from one of the most compelling keyboard players of our time is a lot to take in, but so very enjoyable. The thing about listening to all this music is how diverse and complex it is. Emerson is simply incredible and I am convinced there is not a style of music the man cannot make his own. The proof is right.