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OSIBISAOsibisaJazz Rock/Fusion3.81 | 103 ratings |
From Progarchives.com, the ultimate progressive rock music website
Tom Ozric
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Prog Reviewer |
I absolutely love this gem from the West African/Caribbean ensemble Osibisa. This, their
debut album, features an exciting range of styles, fusing traditional 'World' elements with
funk, psychedelic, rock and jazz and really makes for one heck of a listen. Anyone who
enjoys dense, complex percussion rhythms is in for a treat. Opening track, 'The Dawn', is
one of the best Osibisa tracks I've heard, the crystalline organ tones, flute, a great
groove, the jungle noises - everything is in the right place here and it really offers
something special. 'Music For Gong-Gong' is a brass heavy arrangement with an excellent
progression and groove and some great organ playing. There is also a fine percussive
segment toward the end. 'Ayiko Bia' starts out with tribal chanting and is a lengthy, jammy
track, showing us a tasteful guitar solo from Wendell Richardson, giving it a psychey edge,
a trumpet solo from Mac Tontoh and an even more complex percussion section. With the
amazing assortment of percussive 'nik-naks' at hand, the band members 'feel' for the
rhythm and their 'timing' is precision. Second side starts with the funky song 'Akwaaba', some nice electric-piano included in this one, along with more great organ playing, another guitar solo, and various rhythmic patterns through-out. 'Oranges' is almost a 'pop' song, very danceable and up-lifting with brass solos (sax and flugel-horn) and guitar - possibly the simplest track on the album. 'Phallus C' is a psych jam alternating between a great riff in 9/8 and a 4/4 brassy affair - some almost avant-garde sax playing and more of Dell's magical guitaring. A really great track. 'Think About The People' is an excellent song, almost a classic, featuring a nice jazzy interlude followed by another great organ solo. All that, along with a superb Roger Dean gatefold cover really makes this album an excellent addition to your prog collection. I'd give it a 5, but the somewhat formulaic nature of the songs drops it back to a 4.
Tom Ozric |
4/5 |
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