DREAM THEATER

Yes, this album lubricated my long-time feud with the band. I was frankly tired of the same old clichés, and since Octavarium, my listening capabilities were someplace else. Is it the fresh blood of Mike Mangini? (we love you Mike!!) The symphony hired for the album? The simple (but tasty) artwork? Or simply the return to the formula of Octavarium?

Well, the opening track is a sure winner: explosive choir with a theme that could fit a swashbuckling movie! Also, the multiple winks and nudges to Rush across the album is charming. Since Dream and Day Unite, the Rush factor has not been that present; and it's a good thing. I first started to listen to the band because they were all Rush fans and I happily grab here and there wiffs of the Holy Triumvirat.

Like I said, the Octavarium recipe was a very thing and they re-visited the pattern this time again: catchy riffs (Lifeson inspired), audible bass (finalIy!) and well mixed vocals (not too loud). I am satisfied with the fact that the Nightwish approach is less there, but I do honestly miss the Portnoy vocals that gave the band an additionnal edge.

I'd say go with this eye closed, it's a good year for them!

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