SPOT THE PIGEON

This is the first album where we feel the real potential of Phil COLLINS's voice for pop hit. He uses very well his voice here, and it passes well through lot of acoustic rythm guitars. BANK's keyboards are less elaborated here, except some free moog solos and other patterns. This record is short and the original LP must be played at 45 RPM. The album is not progressive: it was a warning telling people: "Hey, we are now done of prog, so we gonna make stuff to be more popular".