EX-VAGUS

Well, I can write the same about their fourth album Dream Object (2009) but there's one big difference: the vocals are in English, pretty good but you can hear the accent. In my opinion the reason to change from French to the English language is a better understanding of the interesting lyrics: about dark subjects like the sea pollution, the corrupted power and the native indian genocide, the band welcomes us on their musical trip. During that trip we can enjoy seven compositions that deliver a lot of tension and compelling atmospheres, topped by inspired vocals that give an extra dimension to the often dramatic music. In fact Ex-Vagus their music sounds as a dark modern rock-opera with many inventive musical ideas and excellent work on keyboards and guitars.

Exciting interplay between a distorted electric guitar and organ in Trash Vortex.

A strong build-up from dreamy with acoustic guitar and soaring keyboards to a compelling climate with tight drums and a powerful guitar solo in Lostaway.

An ominous atmosphere with an aggressive undertone in The Conqueror's Weapons.

From mellow to a slow rhythm with a fiery guitar solo and slow synthesizer runs in Some Fallen Dust.

Great dynamics and a sensational break with heavy guitar riffs and exciting sumptuous keyboards in Stravinsky's Gondola.

And cascades of shifting moods in the very dramatic and cynical One Upon A Dime.

The long final composition is in the great tradition of the epic early Marillion songs featuring a lot of tension between the dreamy and bombastic parts, moving electric guitar, lush keyboards and dramatic vocals and a compelling conclusion delivering emotional vocals and howling guitar runs, goose bumps!

I conclude that this second Ex-Vagus is superior to their previous efforts, but you have to be up to the very special, slightly theatrical vocals (with an obvious accent).

My rating: 3,5 star.

The quintet of Thierry Lesaffre (drums), Eric Vedovati (lead vocals), Dominique Barboyon (keyboards), Loïc Consolin (bass) and Xavier Le Loupp (guitar) offered a theatrical, bombastic and atmospheric Neo/Symphonic/Progressive Rock album with straight references to French beasts ANGE and ATOLL, which at moments gets extremely lyrical and cinematic.Like changing scripts, the music ranges from emotional and sensitive to powerful and passionate, not unlike their influences, and is based on long atmospheric synth passages and warm guitar moves.In fact Ex-Vagus themselves claimed to be part of the so-called Neo Progressive Rock scene and their style is extremely close to French-sung contemporary bands such as MAGNESIS, GALAAD or QUADRA.I can even hear some PINK FLOYD vibe on the guitar solos.The tracks are mostly long with interesting arrangements and plenty of shifting moods with a gifted and expressive vocalist being all over the place.My only complaint comes from the constant and heavy use of vocals, which are nice, still it results in limited room for instrumental parts.

Atmospheric and theatrical contemporary Progressive Rock with a nice lyrical approach.If you are a fan of any of the aforementioned groups ''Ames vagabondes'' is sure to become a very pleasant experience for your ears.Recommended.

Musically residing somewhere in between Genesis, Ange and Camel of old and Fish-era Marillion, this is an album that ooze distinct melodies, carefully crafted symphonic textures as well as lush synth-dominated themes from start till finish.

The synths dominate the proceedings totally, everything else has a more or less subordinate role to the mostly multilayered textures provided by various forms of tangents. And the vocals, delivered in a manner which should be recognizable by most fans of Ange and which can be described as theatrical with semi-operatic qualities, does add a distinct flavour to these compositions. As far as Neo-touches go, these are mostly found in the atmospheric lush passages spread throughout this effort, including some rather delicate harmonic guitar soloing.

For those who think this description sounds tantalizing, this CD will most likely become a treasured item in your collection. A well made effort overall, touching upon the truly brilliant with final track The Clay Spirits.

"Astrodelica" No steady build greets the listener- right from the first second the music is boisterous and heavy. When it tapers off, what remain are staccato organ chords and a smooth lead guitar. So this track consists of two extremes- frantic and upbeat, as well as dull and quiet.

"Le Cheval De Nébuleuses" Pairing airy synthesizer with a biting electric guitar, this lengthy track has energetic and burly vocals. The lead guitar is more or less the highlight of the piece, as the playing is both soulful and astute without becoming overly technical or pretentious.

"(Il A Neigé Sur) Pluton" A pleasant, clean electric guitar accompanies a thick vocal. It gets heavy on the synthesizer later on, with a full and energetic sound.

"Le Songe Du Surfeur D'Argent" Quavering vocals and high-pitched whining don't really complement the music, which is somewhat similar to Genesis.

"Ici" Soft synthesizer and piano serves as the velvety bed for gentler vocals. It sounds rather similar to music that one might hear while on hold with customer service- inoffensive but hardly inspiring.

"Au Domaine Des 3 Collines" The lengthiest track opens up like 1980s Rush, with a spacious and slightly-distorted guitar, a laidback rhythm, and breathy synthesizer. The organ sets it apart, however, and the composition is well situated in the symphonic rock neighborhood. The middle of the piece involves a lush passage with several synthetic instruments (speaking of Rush, it quite reminds me of "Cygnus X-1, Book II: Hemispheres").

"Un Petit Empire" While this piece begins softly, it quickly becomes a full endeavor, with some great electric guitar work over a bright organ. The guitar and piano interplay later on is simply stunning. The vocals are at their most beautiful (instead of coming across as hokey and forceful).

"Rideau!" A series of diminished chords and a somewhat eerie vocal (with strange effects applied) begin the final track. These vocals are theatrical and exaggerated, almost sounding like something out of a bizarre musical.

I saw the band on stage as they were opening act of a "The Watch" concert in the Spirit of '66 (Verviers - Belgium; Noveember 2006). Even if their vocalist is a bit "grotesque" on stage, using (very) cheap "costumes" while playing the role of each character. Each song is a kind of short piece of theater. And I must say that his vocals are special. Deep, high pitched voice. Strong but yet subtle; Eric Vidovati is rather talented. But all these musicans are and they deserve more recognition for their work. I just hope that more of you will listen to them and comment their work. So far, only two reviews for such a good band is quite a shame on a prog site.

"Ex-Vagus" plays a complex and powerful music. The main reference is "Ange". Same sort of theatrical vocals, middle age weird stories, great keyboards and classy guitar. Rhythms are intricate and lyrics full of fantasy.

My favorite song on this very good album is "Le Cheval Des Nébuleuses". An epic and wonderful symphony. This really brings us back to the greatest pieces of the seventies. Did you say Genesis (for the guitar work), Ange (for the vocals), or Yes (for the keys) ? You' ll get it all ! Actually, you'll even get Christian Descamps on the vocals ! An absolute highlight and a prog masterpiece.

But before this, we got already a strong opening number with "Astrodelica". Disjointed vocals, hard beat. Violent at times. But sweet guitar will incorporate the necessary symphonic flavour.

The wild "Il A Neigé Sur Pluton" also confirms that "Ex-Vagus" can also play on a harder edge. But most of their songs won't let and you asleep, believe me. Strong rhythm, crazy singing exercises (maybe a bit too much) and scary atmosphere for "Le Songe Du Surfeur D'Argent". Grandiose. Weird lyrics (although difficult to imagine if you are not into French).

We'll get Christian Descamps back for "Ici". This time as the composer. It is a song full of passion, well in-line with the early Ange. The chorus line is absolutely wonderful. What an harmony ! Another great piece of music. Such a sweetness, such a beauty...

The second epic "Au Domaine Des Trois Collines" is fully lyrical, dramatic, impressive. The power of "Ex-Vagus" music at its best. Heavy keyboards and fantastic vocals. This guy could have been an opera star. I thought already of this when I saw their concert. Really an outstanding style. Not common at all. This magnificent piece of symphonic music displays somptuous and spacey keys during the second part of the song. Gorgeous.

Another epic with "Un Petit Empire". A warrior and wild song. About war and dictatorship. The "Domaine" is a small part of land, and his chief is a small dictator. He never made war outside of this territory. Only internally...The mood is very dark and depressive. Hard for most of it, we'll get a bit of light and pastoral music at half time; just to bring us some relief (you know like the calm interlude during "The Knife"). The last part is almot similar to "Le Cheval Des Nébuleuses" (vocally).

Lyrics are weird again : "Il était un petit empire dans l'univers inexploré, ohé ohé. Il n'avait jamais massacré les êtres angers" (play on words for foreigners). The song ends on the famous French traditional song : "Il Était Un Petit Navire". A funny touch to smile a bit. The closing number is truely bombastic, difficult to approach. Probably the most Crimsonesque of all. Tortured and complex vocals. The lead singer playing several roles in this song (you know like ...).

I was already impressed with their live set, but this recording ranges amongst the best ones I have heard for a long time (Maldoror - another French band - was another one). Even if "Âmes Vagabondes" is not their first release; it is the only one apparently available on the market.

This is a brilliant record release on the Swiss label Galileo Records. Five stars.

The album Ames Vagabondes is their fifth studio effort and sounds in the vein of the two rock-opera's: often dramatic music featuring strong, typical French theatrical vocals, sumptuous keyboard layers and lots of wonderful, often sensitive electric guitar soli. The band has a very professional approach and in their eight compositions (tasteful and inventive arrangements) the emphasis is on creating a dramatic atmosphere in which the inspired vocals are very important. A pleasant album that will please the Ange fans (Christian Decamps joins the band on one song and also composed one track) and those who love dramatic prog. To discover!