ORCHESTRA NJERVUDAROV

There is a controversial song that opens side two at under 3 minutes, where during the first two minutes they mock disco, but unfortunately we have to listen to such music before they change over the final minute to a rock tune with rough vocals which honestly isn't much better. This is like a fly in the ointment this track. Of course the rest of the album is very difficult with all of these sounds meshed together. Impressive but not easy on my ears. There's a few multi-instrumentalists here so we get a lot of flavours including vibes, synths, a variety of horns giving a jazzy flavour, flute, lots of poly moog too.

So not as good as STORMY SIX's 1977 album but I'll take it over their 1980 record, humour and all, and this record feels closer in sound to that 1980 release. A challenging album that I have a lot of respect for, but there's little in the way of enjoyment for me here.

But in 1977 the band puts all its soul and musical influences in a one-shot album, totally different from the political ballads of Claudio LOLLI, the singer-songwriter. What they do is an instrumental album in the vein of contemporary bands like AREA and STORMY SIX, with a lot of jazz and experimentation on which the band members can show all their skills.

Unfortunately in 1977 Claudio Lolli left EMI so the album which was ready to be released under his sponsorhip is blocked. Only two years after Claudio Lolli was contacted by EMI and releasing his band's album was a condition for the new contract

I don't know why they changed the band name from FROGS to ORCHESTRA NJERVUDAROV. This name was used for this album only. A hidden gem just reprinted in CD after decades of oblivion.

The music is challenging, but less dark respect to other contemporary RIO bands. Some parts are even melodic and one of the album songs, the fourth track, "Tristessa" has been championed into a JAY-Z song...unbelievable. Also because the Zappaesque "Rapporto Njervudarov", parodistic of the 70s disco, with quotes of BEE GEES (You Should be Dancing) was probably easier to be included in a rap, also because most of the sung part is speeched.

The album is very short as it scores just a bit more of 30 minutes, but it deserves to be more known.

Both Carlo Costa and Bruno MARIANI are still active as session men. Other than a good album is also a collector item. Unfortunaltely I don't own a copy.

The album opens with Tot Stelle Reflex, a fast and very complex song! A great way to open an LP! You can sure notice a great work of bass and drums lines, simply fantastic! The instruments in this songs are like a puzzle, every part it's studied to attach to the other, and create a great mosaic of sounds and atmosphere! The ending also it's amazing too!

Next is Spleen Codice Notturno. This one it's more linear and smooth respect to the last one, it have more jazzy tunes and it's less complex. The sax fill most of the song creating some nice atmospheres. The keys are ok too, overall this song is also ok.

Una baldoria verticale begins with a drum riff and slowly the other istruments comes in with some difficult and complex patterns. The piano creates great passagess which are totally freaked. Most of the songs seems jazz improvised, but at last you can hear some nice guitar passage which slowly end the songs.

Another great song is Tristessa, which is one of my favourite here. It start with a smooth introwith synth and piano. The other instruments follow in creating some good atmosphere with. Also this track it's more linear respect the other one. It got some good taste of chamber music, remind me a bit Univers Zero or Henry cow in this one.

The we have Rapporto Njervudarov sulla teoria degli opposti estremismi which is one of very highlight of this LP! Surely if you're not italian you cannot understand or enjoy this track, beacouse it's joke track joking disco music and early punk. I think they have done this beacouse a lot of times italians talk english without kwnowing the words they are singing, infact a lot of times you can hear something like "PEOPLE DANCING" or "mmm... SEXY" without any counsistancy or meaning. The punk part it's also cool too, maybe the funniest part of this track and again it's full of nonsense and here you can hear something like "I've discovered america, iv'e invented the warm water" or my favourite "I ALWAYS DO THIS GRIND VOICE"! This song, for its consistancy remind me a lot Elio e le storie tese if you know what i'm talking about. You don't have to be serious to enjoy this song, just have some fun!

Now the LP become serious again, and we have Toujours l'amour, another outstanding and complex track like the first one, with a good use of synthsiezers, nice guitar phrases, great passage and tempo changing!.. as the first song it's hard to describe something like this, it's something that you have to hear!

Last track it's Il montaggio delle attrazioni / Sinfonia Erotica and again it's another strange avant grade song! it's the longest song so far but i don't know where Il montaggio delle attrazioni ends and Sinfonia Erotica begins... Maybe when the piano begin improvising... i don't know! Anyway it's again something very original with complex passages and immense atmosphere!...

It's been hard to describe this album, a reason more to hear this album, becouse i haven't been clear so much! (and my english it's not good...) Orchestra Njervudarov's "con le orecchie di eros" it's an excelent album and i ask my self why there isn't still a cd release or a vinyl reissue?! This is a very courious record and deserve to be heard by many progressive rock fans! The only reason why i don't give this album 5 stars it's beacouse it's hard to find and maybe it not worth as other R.I.O. albums. But i personally recomand this album becouse it's original and unique, maybe a lost classic! Recomand to every R.I.O., jazz, chamber rock and canterbury scene fan!

4.5 Stars really!