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Close To The Edge (Yes): Form and Substance |
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richardh ![]() Prog Reviewer ![]() ![]() Joined: February 18 2004 Location: United Kingdom Status: Offline Points: 29452 |
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I think the important thing is that there are no wasted moments. On whether it's actually symphonic or not I really wouldn't have a clue. In 1972 the leading prog bands were stretching themselves and setting the agenda. CTTE was the perfect balance of ambition and clear headed thinking by the best line up of musicians ever assembled in a rock band IMO. I reckon it deserves it's No1 slot.
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jamesbaldwin ![]() Prog Reviewer ![]() ![]() Joined: September 25 2015 Location: Milano Status: Offline Points: 6052 |
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You're right, even rock songs have the verse-chorus style, but I would like you to notice some things. First of all, I ask whether "Close to the Edge" is a real suite. Now, in my opinion, the suites are long because they are based on multiple melodies, on several themes that are developed and finally integrated with each other. That is, they have a long course due to the fact that there is a lot of musical material. For example, Supper's Ready or The Plague. Close to the Edge instead, you can see it well in the sung part, it always has the same verses and the same chorus, that is the same melodies, although the arrangements and rhythms are very varied. Instead on Tales or Relayer there are the suites. As for the difference between pop songs and rock songs, I would say that the essential difference lies in the melody: the pop song has an easy, catchy melody, the rock one is more based on rhythm. Another difference is the arrangement: the pop one has patinated sounds, the rock one is rougher and heavier. Pathos is another: the pop stimulates light emotions, the rock stimulates stronger emotions.
Edited by jamesbaldwin - March 17 2019 at 19:28 |
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Amos Goldberg (professor of Genocide Studies at the Hebrew University in Jerusalem): Yes, it's genocide. It's so difficult and painful to admit it, but we can no longer avoid this conclusion.
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TCat ![]() Special Collaborator ![]() ![]() Honorary Collaborator / Retired Admin Joined: February 07 2010 Location: Canada Status: Offline Points: 11612 |
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Here is the thing I have noticed about Yes' longer tracks. Many times, you see them with the various sections named. Using CttE as an example, there are 4 parts listed as "The Solid Time of Change", "Total Mass Retain", "I Get Up, I Get Down", and "Seasons of Man". Many times, when you listen to other bands and they have songs with parts (or movements) to them, they follow the old "Classical" approach where each part or movement is a separate section of a longer work. Yes didn't follow that approach as much as they followed the "Impressionist" approach where the beginning and end of each movement isn't so cut and dried, but they flow into and on top of each other, so you hear sections of each movement in other movements. This is why there are no timings on each of the movements or parts. King Crimson was also known to do this (for example "Court of the Crimson King" of "Epitaph").
That is just one example of the genius of progressive music over just plain pop or rock music, the fact that progressive artists will take the basis of rock and pop and throw new and exciting ideas into the mix, or even take tried and true ideas from other genres and expand boundaries by utilizing them. Even the subgenre of Progressive Rock that most proggers have the hardest time with, RIO and Avant Prog, utilize ideas from impressionistic composers to stretch the boundaries to almost extreme levels. The fact that CttE or any progressive music comes from the roots of pop and rock, which in turn comes from the blues and jazz, should not surprise anyone. The difference is that the boundaries are limitless in progressive music. It also comes from the roots of orchestral music; as examples from each of the eras: Jethro Tull = Baroque Era. Genesis = Classical Era. Pink Floyd = Romantic Era. Frank Zappa = 20th Century composers.
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Patrick_Schlies ![]() Forum Newbie ![]() ![]() Joined: August 11 2018 Location: USA Status: Offline Points: 1 |
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I completely agree. Unlike something such as Supper's Ready, which is clearly 4-5 separate songs connected together, Close to The Edge is one body of work that stretches to 18 minutes. For that reason, compared to all the other prog epics, this one zooms by so fast. Compare it even to The Gates of Delirium, which is a couple minutes longer, but feels 6-7 minutes longer due to "Soon" really being its own song.
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Patrick Schlies, a lover of music
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AFlowerKingCrimson ![]() Forum Senior Member ![]() ![]() Joined: October 02 2016 Location: Philly burbs Status: Online Points: 18948 |
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Based on what I know about pop and what it sounds like CTTE does not sound like a pop song. Does it have a pop song structure? Maybe but if so then so does the title track to ITCOTCK then. THat is very much verse chorus with refrains that repeat and is just as repetitious as CTTE. TO me the title track to that first KC doesn't sound like pop either but it's structured in a way that could be called pop if CTTE is. CTTE has both rhythm and melody though. Also, how many pop songs have three minutes of pure instrumental almost fusion sounds before the vocals kick in? The vocals are very much verse for three or four minutes and the chorus doesn't come in until later. You can call it a pop song(Court too)if you won't but you won't ever hear me call it that. That being said I understand that pop is at the root of rock and other music forms including prog so I don't view it as an insult necessarily I just think maybe some of you guys are using the term more broadly than I am. I personally would never put Yes in the same category as Brittany Spears or Justin Timberlake(coincidence there don't read into it)or whoever is the flavor of the week that your average teenage girl listens to. Not even 80's Yes.
Edited by AFlowerKingCrimson - March 17 2019 at 20:21 |
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jamesbaldwin ![]() Prog Reviewer ![]() ![]() Joined: September 25 2015 Location: Milano Status: Offline Points: 6052 |
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I dont consider CTTE a simple pop song, similar to those of B. Spears or J. Timberlake. I have written: "Yes have created a new song format, they take a commercial easy-listening song with a strophe-refrain-bridge-refrain structure and then they dilate it, speed it up, slow it down, accompany it with changes of rhythm and arrangement, support it with instrumental digressions and get to almost 20 minutes: and here’s to you a beat song disguised as a classical suite." I consider CTTE a new song format. The substance, the original material is a pop (rock) song, but the form is a suite: this fact explain why the song lasts 18:30 minutes and the vocals arrive after three minutes. In fact, even TCOTCK is a melodic pop song dilated and arranged in a proggy way. Progressive rock is a new form of song. It's a style. But the content is pop, or rock, or hard rock, or jazz-rock etc. Anyway, the real suites are made of many songs, or many melodies connect to each other.
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Amos Goldberg (professor of Genocide Studies at the Hebrew University in Jerusalem): Yes, it's genocide. It's so difficult and painful to admit it, but we can no longer avoid this conclusion.
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chopper ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: July 13 2005 Location: Essex, UK Status: Offline Points: 20032 |
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what's a strophe?
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ExittheLemming ![]() Forum Senior Member ![]() ![]() Joined: October 19 2007 Location: Penal Colony Status: Offline Points: 11420 |
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^ The first section of an ancient Greek choral ode or of one division of it.
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jamesbaldwin ![]() Prog Reviewer ![]() ![]() Joined: September 25 2015 Location: Milano Status: Offline Points: 6052 |
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Yes, verse, no strophe. Sorry for my english! ![]() In Italian, if I consider the beginning of Close to the Edge:
The whole piece is called: "strofa" Instead every phrase, for example: "A seasoned witch could call you from the depths of your disgrace" is called "verso", so "strofa" (and not "verso") is translated with "verse", not "strophe".
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Amos Goldberg (professor of Genocide Studies at the Hebrew University in Jerusalem): Yes, it's genocide. It's so difficult and painful to admit it, but we can no longer avoid this conclusion.
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miamiscot ![]() Forum Senior Member ![]() ![]() Joined: April 23 2014 Location: Ohio Status: Offline Points: 3625 |
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I have a degree in music theory and I have no idea what "Close To The Edge" is - besides a great piece of music!!! Long live YES!!!
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ExittheLemming ![]() Forum Senior Member ![]() ![]() Joined: October 19 2007 Location: Penal Colony Status: Offline Points: 11420 |
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^ That's OK, as long as the taxpayer is not picking up the tab for your tuition fees
![]() Edited by ExittheLemming - March 19 2019 at 09:09 |
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AFlowerKingCrimson ![]() Forum Senior Member ![]() ![]() Joined: October 02 2016 Location: Philly burbs Status: Online Points: 18948 |
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Why not? They pay for the funding of elementary and high school.
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moshkito ![]() Forum Senior Member ![]() ![]() Joined: January 04 2007 Location: Grok City Status: Offline Points: 18066 |
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There are a couple of albums where classical music is played BEFORE the concert ... I won't say that there is a connection, but I would rather associate a piece like CTTE to a classical piece than I would to a pop song ... specially as it is not showing you a half nekkid girlie or some sort of idiotic sonata format like so many pop songs do within 3 minutes. At least not in the 18 minutes although one might suggest some barbs about that from the opening and ending sounds. I still feel that this kind of work was "the classical music" by the folks my age at that time ... that were hoping to put together something more meaningful than just a pop song. Sadly, my opinion stands that we talk of too many of these things as a pop song, not a serious composition, be it with or without some improvisation in it, as so many other groups also had it.
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Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told!
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jamesbaldwin ![]() Prog Reviewer ![]() ![]() Joined: September 25 2015 Location: Milano Status: Offline Points: 6052 |
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I've written my complete review of "Close To The Edge", here:
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Amos Goldberg (professor of Genocide Studies at the Hebrew University in Jerusalem): Yes, it's genocide. It's so difficult and painful to admit it, but we can no longer avoid this conclusion.
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BaldFriede ![]() Prog Reviewer ![]() ![]() Joined: June 02 2005 Location: Germany Status: Offline Points: 10266 |
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Peter Hammill regards all of his music as pop music. This includes VdGG.
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![]() BaldJean and I; I am the one in blue. |
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Meltdowner ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: June 25 2013 Location: Portugal Status: Offline Points: 10278 |
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AFlowerKingCrimson ![]() Forum Senior Member ![]() ![]() Joined: October 02 2016 Location: Philly burbs Status: Online Points: 18948 |
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Black Sabbath and Motorhead never considered their music "heavy metal."
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