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Petrovsk Mizinski View Drop Down
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Direct Link To This Post Posted: May 05 2008 at 03:12
Originally posted by kibble_alex kibble_alex wrote:

Originally posted by Unsouled Unsouled wrote:

I've already addressed a couple of these, but it seems like my earlier post has been lost in the mumbo-jumbo.

"Talent" refers "natural abilities or qualities," and Fripp believes he has none of these when it comes to guitar playing.  However, "talented" has become synonymous with "skilled" and "accomplished," so my wording was a mistake.

1800iareyay: I did not say he needed to shred, I asked whether or not he could, for no reason other than curiosity.

jammun: rileydog22 is correct, there is no shredding in those pieces.  The guitar lines are quick, though.

Cosmic Messenger: A big sigh to you, because I've already acknowledged that I don't "want" to hear them per say, but rather I would like to know if anyone has seen him perform them.

Avantgardehead's statement is exactly what I was trying, and failing, to say: "I think many people knew he had it in him, but it's always nice to see these things."

Anyways, if someone still understand what I mean by shredding, here's an example:
http://youtube.com/watch?v=pYauTCAbvh8


Wow.

So you think that shredding = good guitar playing? Real guitar playing comes from the soul, it has feeling, and even if you did play a soulful solo at shredding speed, you couldn't distinguish it anyway, so what's the point? All shredding is is practising scales, arpeggios and melodic lines over and over again with a metronome: what musical skill does that involve? None at all if you ask me, it's not entertaining, it's self-indulgent. Fripp knows this, so he doesn't do it.
This post is so contradictory amd misinformed it makes me laugh to be honest.
Saying shredding is mindless and boring yet defending someone who clearly has been known to play shred solo is highly hypocritical.
 
"Real guitar playing comes from the soul, it has feeling, and even if you did play a soulful solo at shredding speed, you couldn't distinguish it anyway, so what's the point? All shredding is is practising scales, arpeggios and melodic lines over and over again with a metronome:what musical skill does that involve? None at all if you ask me, it's not entertaining, it's self-indulgent. Fripp knows this, so he doesn't do it."
 
That didn't make a lot of sense to be totally honest. Your definition of shredding is not even close to the ball park of the correct definition. What you described is running through technical exercises. Shredding means to play in a virtuosic manner on guitar, and has nothing to do with whether it's musical to you or not.
"you couldn't distinguish it anyway" a typical example of someone who has minimal or zero musical ear training. I happen to find many shred solos to be widely varied and can hear the differences between what techniques are employed in the solo, and why certain phrases are played to give different emotions.
 
 
Here are 3 different shred solos (well one is also mainly a song), and I challenge anyone to tell me these 3 solos A: Played using a variety of different techniques B Not even in the same modes and key signatures and styles can sound 'indistinguishable'.
Ask MikeEnRegalia, or some of the other shred guitarist on this forum, and they will agree whole heartedly shred is a valid form of musical expression.
If the world revolved around one person that could just univerally say 'all shred is the same etc, can't tell it apart etc no emotion etc', maybe we would have to accept it, but in future don't make it sound like people have this universal idea we must all believe, because I think I should be able to feel free to understand and believe in the emotive power of shred guitar.
 
 


Edited by HughesJB4 - May 05 2008 at 03:17
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Direct Link To This Post Posted: May 05 2008 at 06:19
I was listening to Dream Theater's Train of Thought yesterday, and Petrucci's shredding was a mix of schizophrenia and tension to me.  I was literally gritting my teeth through a lot of it.  It's been a while since I listened to that album... it was almost completely new to me.  Certainly the first listen-through since my musical ears have matured.

Anyways, this thread has been de-railed, and the original question has been answered.  Keep or nuke?  I can modify the title if it's to be about shredding.


Edited by Unsouled - May 05 2008 at 06:20
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Direct Link To This Post Posted: May 05 2008 at 09:29
Originally posted by HughesJB4 HughesJB4 wrote:

Originally posted by kibble_alex kibble_alex wrote:

Originally posted by Unsouled Unsouled wrote:

I've already addressed a couple of these, but it seems like my earlier post has been lost in the mumbo-jumbo.

"Talent" refers "natural abilities or qualities," and Fripp believes he has none of these when it comes to guitar playing.  However, "talented" has become synonymous with "skilled" and "accomplished," so my wording was a mistake.

1800iareyay: I did not say he needed to shred, I asked whether or not he could, for no reason other than curiosity.

jammun: rileydog22 is correct, there is no shredding in those pieces.  The guitar lines are quick, though.

Cosmic Messenger: A big sigh to you, because I've already acknowledged that I don't "want" to hear them per say, but rather I would like to know if anyone has seen him perform them.

Avantgardehead's statement is exactly what I was trying, and failing, to say: "I think many people knew he had it in him, but it's always nice to see these things."

Anyways, if someone still understand what I mean by shredding, here's an example:
http://youtube.com/watch?v=pYauTCAbvh8


Wow.

So you think that shredding = good guitar playing? Real guitar playing comes from the soul, it has feeling, and even if you did play a soulful solo at shredding speed, you couldn't distinguish it anyway, so what's the point? All shredding is is practising scales, arpeggios and melodic lines over and over again with a metronome: what musical skill does that involve? None at all if you ask me, it's not entertaining, it's self-indulgent. Fripp knows this, so he doesn't do it.
This post is so contradictory amd misinformed it makes me laugh to be honest.
Saying shredding is mindless and boring yet defending someone who clearly has been known to play shred solo is highly hypocritical.
 
"Real guitar playing comes from the soul, it has feeling, and even if you did play a soulful solo at shredding speed, you couldn't distinguish it anyway, so what's the point? All shredding is is practising scales, arpeggios and melodic lines over and over again with a metronome:what musical skill does that involve? None at all if you ask me, it's not entertaining, it's self-indulgent. Fripp knows this, so he doesn't do it."
 
That didn't make a lot of sense to be totally honest. Your definition of shredding is not even close to the ball park of the correct definition. What you described is running through technical exercises. Shredding means to play in a virtuosic manner on guitar, and has nothing to do with whether it's musical to you or not.
"you couldn't distinguish it anyway" a typical example of someone who has minimal or zero musical ear training. I happen to find many shred solos to be widely varied and can hear the differences between what techniques are employed in the solo, and why certain phrases are played to give different emotions.
 
 
Here are 3 different shred solos (well one is also mainly a song), and I challenge anyone to tell me these 3 solos A: Played using a variety of different techniques B Not even in the same modes and key signatures and styles can sound 'indistinguishable'.
Ask MikeEnRegalia, or some of the other shred guitarist on this forum, and they will agree whole heartedly shred is a valid form of musical expression.
If the world revolved around one person that could just univerally say 'all shred is the same etc, can't tell it apart etc no emotion etc', maybe we would have to accept it, but in future don't make it sound like people have this universal idea we must all believe, because I think I should be able to feel free to understand and believe in the emotive power of shred guitar.
 
 


And is that why shredders will be as well remembered in the future as lets say some melodic genii like Bach, Sibeilius, collectively Genesis and maybe even Peter Hamill w/ VDGG? Face it dude, the only people that appreciate shredding are guitarists, and that is because and only because they know it is astoundingly hard.

I have listened to your links, and quite frankly they do not portray any emotion for me, which is very typical of shredding. Why play 20 notes/second and impress people with how fast you can move your wrist and fingers, when you can play one note a second and induce any powerful emotion on people? This is what infuriates me about shredding guitarists: they absolutely love to show off their moves, but they are killing the real purpose of music, and that is to entertain people emotionally. Doesn't that anger you in any sort of way? I'd love to see someone break down in tears of joy at a shredding solo, because they sure as hell have done that with most other musical formats.

And before you even think about saying I contradicted myself with the comment "only because they know it is astoundingly hard" against the above "what musical skill does that involve? None at all if you ask me", take note of what I said: i said that shredding recquires no musical skill, and i still stand by that. however, it involves skill in other areas; that is to get it up to shredding speed. Perhaps composing a slowed down version of the shred needs as much musical skill as you proclaim, with cadential, harmonic and modal uses, but look at it this way: if any of Beethoven's Adagios were played at quadruple the tempo they are normally, do you honestly think that they would get the same reaction? I highly doubt it, because the human brain can only comprehend emotion at a certain speed, so don't give me that crap about me having an undeveloped musical ear, because if you can distinguish as much as a little emotion from shredding, then i will consider either one of two things 1. you have never actually experienced real musical vehemence or 2. you are superhuman.

I personally doubt the latter.


Edited by kibble_alex - May 05 2008 at 09:33
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Direct Link To This Post Posted: May 05 2008 at 13:32
First off, in response to your first statement, i think that most metal shredders are already more popular and famous and will be better remembered than sibeilius or genesis or peter hamill. prog is still a very very small movement, especially when compared to metal. im not saying this is good or bad, but the popularity level of these two groups is non-comparable.
and also.
You do NOT have to be a guitarist to enjoy shred solos. . . look at me! i like shred i think it adds somehting, particularly to fierce, explosive music. I like hearing massive arpegios snake througha song soaring up and down and through it. its fun!  you cant solo slow in an extremely fast song, it would kill the intesnsity which is what those solo's are all about. Can you get intense with non-shredding solos? yes. and they are some of the best written (gilmour anyone?) but come on, shredding brings something to the table regardless of how vehement you are against it.
 and please dont get all aloof with your "Real music" Ever listened to the Third movement of Moonlight Sonota? thats shredding on piano.

"because the human brain can only comprehend emotion at a certain speed, so don't give me that crap about me having an undeveloped musical ear"


The human brain can only distinguish notes at 1/20'th of a second. anything faster just sounds like a sustained note or a smear. no body that i am aware of can play faster than this.
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Direct Link To This Post Posted: May 05 2008 at 14:32
Bargh, I used to love shredding. Now I don't really care for it at all.
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Direct Link To This Post Posted: May 05 2008 at 14:58
Originally posted by keiser willhelm keiser willhelm wrote:

First off, in response to your first statement, i think that most metal shredders are already more popular and famous and will be better remembered than sibeilius or genesis or peter hamill. prog is still a very very small movement, especially when compared to metal. im not saying this is good or bad, but the popularity level of these two groups is non-comparable.
and also.
You do NOT have to be a guitarist to enjoy shred solos. . . look at me! i like shred i think it adds somehting, particularly to fierce, explosive music. I like hearing massive arpegios snake througha song soaring up and down and through it. its fun!  you cant solo slow in an extremely fast song, it would kill the intesnsity which is what those solo's are all about. Can you get intense with non-shredding solos? yes. and they are some of the best written (gilmour anyone?) but come on, shredding brings something to the table regardless of how vehement you are against it.
 and please dont get all aloof with your "Real music" Ever listened to the Third movement of Moonlight Sonota? thats shredding on piano.

"because the human brain can only comprehend emotion at a certain speed, so don't give me that crap about me having an undeveloped musical ear"


The human brain can only distinguish notes at 1/20'th of a second. anything faster just sounds like a sustained note or a smear. no body that i am aware of can play faster than this.


I can play the third movement from Moonlight Sonata, and indeed it is shredding on piano if you look at it that way. However, compare it with the rest of the piece: the fast movement adds a climax. It might just be because i've heard too much dragonforce in my time, but songs with shredding just seem to be one big climax, Dream Theatre may be an exception to this rule. Still, the point i'm trying to make is that shredding is not necessary in any circumstance, there is nothing you can't do with a really melodic solo that you can do with a shred, so why shred? It has always seemed pointless to me, just another method for guitarists to feed their absolutely ravenous egos instead of MAKING MUSIC.

1/20th of a second is quite simply demisemiquaver pentuplets at a tempo of 120 beats per minute. A few pianists i know of can play hemidemisemiquavers at that speed, and it doesn't exactly sound like a hum, more like a very short chord, however if you listen carefuilly you can still hear each individual note. Whether those notes mean anything or not is a different story...
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Direct Link To This Post Posted: May 05 2008 at 17:55
Sweep picking may also result in similar sounds.  To be honest, sweeps sound like bubbles to me (extremely satisfying bubbles at that).  I can't think of a better word to describe them.
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