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Topic ClosedCha-cha-cha in VdGG’s "Sleepwalkers"

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Poll Question: The Cha-cha-cha in "Sleepwalkers" is...
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6 [12.24%]
38 [77.55%]
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Sean Trane View Drop Down
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Direct Link To This Post Posted: April 21 2006 at 07:24
^^^^
the actual Cha Cha Cha notes that made me realize this was it last a few seconds. I was not really all that aware that there were such a longer references before and after the cha cha cha in the track. Nevertheless this track is far from my fave on this album, and I orefer Still Life to Godbluff
 
Snowie: as far as I am concerned I never heard this dance refered as cha Cha since what makes it so recognizable is the typical three notes , usually strongly highlighted by the drummer on his Hi Hat (in french this hi hat is called the charleston or charly in short )>> therefore cha cha cha as in charly charly charly
let's just stay above the moral melee
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keep our sand-castle virtues
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Direct Link To This Post Posted: April 21 2006 at 07:30
Originally posted by Sean Trane Sean Trane wrote:

^^^^
the actual Cha Cha Cha notes that made me realize this was it last a few seconds. I was not really all that aware that there were such a longer references before and after the cha cha cha in the track. Nevertheless this track is far from my fave on this album, and I orefer Still Life to Godbluff
 
Snowie: as far as I am concerned I never heard this dance refered as cha Cha since what makes it so recognizable is the typical three notes , usually strongly highlighted by the drummer on his Hi Hat (in french this hi hat is called the charleston or charly in short )>> therefore cha cha cha as in charly charly charly
Nevertheless, it is called a Cha Cha.
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Direct Link To This Post Posted: April 21 2006 at 07:39
http://www.centralhome.com/ballroomcountry/cha-cha-cha.htm
You are partly right SD, but it was originally called "cha-cha-cha", and it is, like said before, a more logical name (because of the rhythm). I believe most Dutch people call it the cha-cha-cha as well.
 
"The cha-cha-cha (in Spanish chachachá) is a Latin American dance. In ballroom dancing, it is increasingly popular to call the dance cha-cha or chacha. The cha-cha-cha music is in 4/4 meter."
 
...apparently you are just showing popular behaviour, Snow Dog. Wink


Edited by Joren - April 21 2006 at 07:42
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Direct Link To This Post Posted: April 21 2006 at 07:42
Well we don't.
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Direct Link To This Post Posted: April 21 2006 at 07:42
Read the update of my post. Wink
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Direct Link To This Post Posted: April 21 2006 at 07:49
Originally posted by Joren Joren wrote:

Read the update of my post. Wink
LOL
 
I don't know about that. All my life its been known as Chacha. Anyway. Sleepwalkers is a great song.Tongue
 
I just noticed......you've gone back to plain "Joren" again!


Edited by Snow Dog - April 21 2006 at 07:54
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Direct Link To This Post Posted: April 21 2006 at 13:12
I very rarely agree with Hughes on much (eg I love Camel, Strawbs and Horslips, he doesn't, tasteless s*d) but I do repect his opinion and enormous knowledge and am pleased to collaborate with him.

On this I stand firm. The cha cha section doesn't fit the song at all. If there's some connection with the lyrics, I don't see it, but I find it hard to listen to Hamill's voice long enough to decipher the nuances anyway. Incidentally, my 17 year old son tolerates my music and actually likes some of it, but he has finally rebelled and forbidden me ever to play VDGG when he's in or else he will have to kill me, and it's the vocals that he hates so much. So it's not just me who thinks Hamill is dreadful. And it may be why VDGG never went beyond a cult following in the 70s; none of my group of friends at uni were fans and we covered virtually every other prog band with our taste.

And I can assure you, noone has a better developed sense of humour than me!
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Direct Link To This Post Posted: April 21 2006 at 13:19
Originally posted by Tony Fisher Tony Fisher wrote:


I very rarely agree with Hughes on much (eg I love Camel, Strawbs and Horslips, he doesn't, tasteless s*d) but I do repect his opinion and enormous knowledge and am pleased to collaborate with him.

On this I stand firm. The cha cha section doesn't fit the song at all. If there's some connection with the lyrics, I don't see it, but I find it hard to listen to Hamill's voice long enough to decipher the nuances anyway. Incidentally, my 17 year old son tolerates my music and actually likes some of it, but he has finally rebelled and forbidden me ever to play VDGG when he's in or else he will have to kill me, and it's the vocals that he hates so much. So it's not just me who thinks Hamill is dreadful. And it may be why VDGG never went beyond a cult following in the 70s; none of my group of friends at uni were fans and we covered virtually every other prog band with our taste.

And I can assure you, noone has a better developed sense of humour than me!

well, Hammill is a case of love or hate; there's no in-between. for me it is "love".
as to your sense of humor: you may have one, but it is not identical with mine


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Direct Link To This Post Posted: April 21 2006 at 13:23
Originally posted by BaldFriede BaldFriede wrote:

The cha-cha-cha in VdGG's "Sleepwalkers" has been critisized by Sean Trane and Tony Fisher (I just read his review of "Godbluff"). My personal opinion is they miss the point of it completely. Sure, they play a perfect saloon cha-cha-cha for a few bars, but they then rev up a gear and tear it apart brutally. In my opinion this supports the lyrics perfectly; the mindless animation of the "Sleepwalkers" is accurately mimicked with this. For me this passage is one of the high points of the song. What is your opinion?
 
The highest point of the song, indeed! I was really impressed by that passage. I have to say this is really a "liscio" passage. In Italy (where VDGG were on tour very often) in a peculiar part of the country named "Romagna" (do you know the famous city of Rimini, hometown of Federico Fellini?) there is the most important and historic band of "Liscio" (a music and a ball we can hear in every town's festivity) the band of Raoul Casadei.
 
That passage of Sleepwalkers impressed me so much the first time I've listened to it just because is a sort of reproduction of that kind of popular-music genre!!! This is not cha-cha-cha!
 
Musically, it was tha time I was impressed the most! Did not imagine this great honour to Italy! VDGG have always been grateful to Italy!


Edited by Andrea Cortese - April 21 2006 at 13:26
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Direct Link To This Post Posted: April 21 2006 at 14:51
they have a lot of fans in Italy, and "Pawn Hearts" was number one in the charts for a few weeks in Italy when it came out


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Direct Link To This Post Posted: April 21 2006 at 14:53
okay now that I understand cha-cha I like it in Sleepwalkers
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Direct Link To This Post Posted: April 21 2006 at 16:48
I read once that when VDGG visited Italy at the height of their fame there in 1971 when 'Pawn Hearts' was at Number 1, police had to use tear gas and riot shields to restrain hoarding crowds, such was the hysteria!! I remember a passage from the article said that the crowd 'bellowed along to the lyrics as if they were Verdi operas'! Great stuff!!LOL 
 
I always thought the cha cha cha part in 'Sleepwalkers' was quite fun and leavened the mood a fair bit, so I'll vote 'highly ironic...'.
 
As for Hammill's voice, I just love it and always have. I can hear just how influential he was to some of my favourite vocalists like Rob Halford and Bruce Dickinson, even Fish. Maybe it's because I was brought up on VDGG by my dad who absolutely worships them and Peter Hammill's work, but I've never had half as much trouble getting into VDGG as many seem to.
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Direct Link To This Post Posted: April 21 2006 at 17:01
highly ironic and one of the best passages in the song
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Direct Link To This Post Posted: April 21 2006 at 19:13
Originally posted by BaldJean BaldJean wrote:


well, Hammill is a case of love or hate; there's no in-between. for me it is "love".
as to your sense of humor: you may have one, but it is not identical with mine
 
I do believe our scientists our working to find the Peter Hamill Tolerance gene.
 
Who's hating on the cha-cha-cha? It's what makes the great! It starts out as a typical VDGG song, then "Do-do-do, do-do-do...."- it's both hilarious and brilliant at the same time! What's not to love?
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Direct Link To This Post Posted: April 21 2006 at 19:21
Originally posted by salmacis salmacis wrote:

I read once that when VDGG visited Italy at the height of their fame there in 1971 when 'Pawn Hearts' was at Number 1, police had to use tear gas and riot shields to restrain hoarding crowds, such was the hysteria!! I remember a passage from the article said that the crowd 'bellowed along to the lyrics as if they were Verdi operas'! Great stuff!!LOL 
 
I always thought the cha cha cha part in 'Sleepwalkers' was quite fun and leavened the mood a fair bit, so I'll vote 'highly ironic...'.
 
As for Hammill's voice, I just love it and always have. I can hear just how influential he was to some of my favourite vocalists like Rob Halford and Bruce Dickinson, even Fish. Maybe it's because I was brought up on VDGG by my dad who absolutely worships them and Peter Hammill's work, but I've never had half as much trouble getting into VDGG as many seem to.

Yes, Bruce Dickinson is a big Peter Hammill fan. And Fish certainly is too; it is not for nothing that "Over" and "Fool's Mate" by Peter Hammill can be seen lying on the floor on the cover of the Marillion album "Fugazi".


Edited by BaldJean - April 22 2006 at 03:30


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Direct Link To This Post Posted: April 22 2006 at 06:15
Originally posted by Tony Fisher Tony Fisher wrote:

I very rarely agree with Hughes on much (eg I love Camel, Strawbs and Horslips, he doesn't, tasteless s*d)>>> This calls for revenge , you easy listening twitWink >>> care for a pink slip out our team??? LOL but I do repect his opinion and enormous knowledge and am pleased to collaborate with him.

On this I stand firm. The cha cha section doesn't fit the song at all. If there's some connection with the lyrics, I don't see it, but I find it hard to listen to Hamill's voice long enough to decipher the nuances anyway. Incidentally, my 17 year old son tolerates my music and actually likes some of it, but he has finally rebelled and forbidden me ever to play VDGG when he's in or else he will have to kill me, and it's the vocals that he hates so much. So it's not just me who thinks Hamill is dreadful. And it may be why VDGG never went beyond a cult following in the 70s; none of my group of friends at uni were fans and we covered virtually every other prog band with our taste.

And I can assure you, noone has a better developed sense of humour than me!
 
Although not liking Hammill's voice is fully understandable (it took me over two decadesCry), your two star rating is harsh (much harsher than mine on Strawbs' BATS)>> Give it time and i'll give you pointer on how to get into itSmile
 
As for Sleepwalkers : it is not just the cha cha cha bit i do not like (sorry Snowie, but I am sticking to it, whether you like it or notWink) , but the whole track
Arrow is superb, Undercover Man the best of that VDGG era and Scorched Earth is excellenyt, but Sleepwalkers isdefinitely weak
let's just stay above the moral melee
prefer the sink to the gutter
keep our sand-castle virtues
content to be a doer
as well as a thinker,
prefer lifting our pen
rather than un-sheath our sword
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Direct Link To This Post Posted: April 22 2006 at 06:49
de gustibus non est disputandum, but nevertheless I don't understand why Sean Trane doesn't like "Sleepwalkers". that tune is full of musical humor (not only the cha-cha-cha part; there is for example also the short "da-da da-da" in the middle of the line "or does the anaesthetic darkness" da-da da-da "take hold on its very own". the song has a lot of surprising twists and some of the best riffs ever by VdGG


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Direct Link To This Post Posted: April 22 2006 at 10:20
Tony Fisher has a difficult time with Hammill's vocals, and I would never question him on that. I love the Hammill style(s) but, like Sean, it took me a while to get into it. Not so much the earlier stuff (or even the later, more straight-ahead kind of singing like After The Show from Skin, or just about anything on Fireships - I could play that for anyone and not have to worry about them laughing or grimacing). It's more the deep-voiced, quasi-operatic and harsh styles pH developed after the '72 split of VdGG. It was difficult at first, but I grew to love it (he's my absolute favorite singer on the planet and has been for a couple of decades). But it's true that if anyone has trouble getting into VdGG, it's often because of Peter's voice.
 
Sleepwalkers may not be everyone's cup of tea (although it is regarded by most of their fans as a true classic) but the mid section of that song has one of the greatest, 4/4 grooves of any song ever! After all the cha cha-ing, and bizzare time signatures in the first half of the song, the band suddenly launch into one of the greatest, most ballsy riffs ever put onto vinyl and they (rightly) repeat it over & over because the groove just grows on you. This section, I feel, *really* displays what is special about VdGG. I alluded to this in The Book but VdGG did the one thing that Genesis, Yes, etc often forgot to do amid all the time signatures and technical displays - they actually *rocked*. They went a lot of places on their musical journeys, but they never lost sight of the fact that they were a -rock- band. And on this secton of the song, when Hammill's vocals finally come in ("Tonight before you lay down..."), the only way to sing that song is with a harsh, snarling growl. That section is as much heavy metal and punk as it is prog and needs to be sung with a fiery passion (i.e. balls) - Gabriel, Anderson, Wetton, etc... they could never do that song justice (just like you can only imagine Hammill singing Disengage - no one else could give it that fury unless it's some metal singer and even then, they'd sound too controlled).
jc
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Direct Link To This Post Posted: April 22 2006 at 12:32
I suppose here at the continent we added an extra "cha", or those obstinate British removed one LOL . My dance teacher taught me the cha-cha-cha, and I LOVE the one in Sleepwalkers!!
 
It's a bit like the song The Light by Spock's Beard (maybe they were influenced by VdGG), you hear this latin rhythm and playful lyrics, and suddenly the music turns once again into something heavy, and that makes it only more intense. It's the same with Sleepwalkers, because you know there's a tension mounting underneath the very light hearted sounding music.


Edited by Moogtron III - April 22 2006 at 12:36
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Direct Link To This Post Posted: April 22 2006 at 13:00
The dance was originally named "Cha-cha-cha" because of the rhythmic pattern in it (which you can clearly hear just before VdGG start tearing it apart). Some lazybones shortened the name to "Cha-cha" then, but that name is much less satisfying, because it just doesn't fit the rhythmic pattern.


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