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Topic ClosedAndrew Lloyd Webber...

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Empathy View Drop Down
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Direct Link To This Post Posted: May 10 2006 at 12:42
This is what Waters' issue with ALW is really about... scroll to the bottom. 
Pure Brilliance:
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Direct Link To This Post Posted: May 15 2006 at 03:53
Andrew Loyd Webber and Tim Rice's Jesus Chrus Superstar  is a masterpiece of rock music. Didn't like their other efforts, altough Evita (original recording) has its moments. His Requiem with Domingo is good too. The rest is broadway crap.
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Direct Link To This Post Posted: November 07 2006 at 07:00
It seems that you guys don't remember JCS... isn't Heaven on their minds a prog song ? Tim Rice wrote the lyrics, and he's the same author of many Wakeman's albums (The myths and legends.. for example). ALW is NOT a prog musician, but I think he can stay in the prog related section.
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Direct Link To This Post Posted: November 11 2006 at 02:28
Originally posted by lpd42 lpd42 wrote:

Webber's work with jim steinman, dance of the vampires (based on the roman polanski film) is definately worth a listen.
And come on, Overature from Jesus Christ Superstar (the original studio-recorded rock-opera, not the film soundtrack) is an essential prog track. It's sinister, creepy vibe makes it a highlight as far as the darker side of the genre. The rest of that original double album is pretty good too, much better than the billions of recordings of it that have come since. (I've always said Mekanik Destructiw Kommandoh, one of my prog faves, is part Carmina Burana, part Jesus Christ Superstar!)
most everything else ALW has done, however, I do agree isn't that good.


OK.

So, I've a very liberal policy on what constitutes prog, so I'm not gonna argue any works "prog-worthyness".

But:

I know Andrew Lloyd Webber's work. What I've heard (My mom is a huge fan, sigh) JCS, Evita, Phantom of the Opera, Joseph and his ATD, Cats...Its utter hackwork. Musical garbage. The lowest common denominator of musical theater. What utter "squares" think rock/compelling music is.

Now couple this with Jim Steinman. The man responsible for Meat Loaf's Bat Out Of Hell, and subsequent sequels...true dreck.

Now, I've never heard this "Dance of the Vampires" you speak of...and quite frankly...good.

What an utterly unholy combo.

I don't care if Jesus/Mohammed/Buddah/Xenu himself appeared before me and commanded me to listen to this...

Good lord people, have you no shame?


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Direct Link To This Post Posted: November 17 2006 at 01:03

I can't believe you guys don't like Phantom of the Opera! I love that soundtrack. I'm not trying to claim he's prog or anything, but come on. seriously. It's good music...but then again, maybe you're just not a fan of musicals and operas in general.








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Direct Link To This Post Posted: November 23 2006 at 03:58
Originally posted by Nipsey88 Nipsey88 wrote:


But:I know Andrew Lloyd Webber's work. What I've heard (My mom is a huge fan, sigh) JCS, Evita, Phantom of the Opera, Joseph and his ATD, Cats...Its utter hackwork. Musical garbage. The lowest common denominator of musical theater.


Well, the last phrase is right, at least.

I wouldn't put JCS into the same brackets as the rest - you're just biased because your mom likes it.

And you haven't even mentioned the Variations - the single work that is in the archives - which is a Prog Rock masterpiece of the highest order.[/quote]


Originally posted by Nipsey88 Nipsey88 wrote:


What utter "squares" think rock/compelling music is.Now couple this with Jim Steinman. The man responsible for Meat Loaf's Bat Out Of Hell, and subsequent sequels...true dreck.


Again, you finally said something true - the sequels to Bat... were appalling and got worse, but Bat... is quite magnificent.

Again, Steinman was a writer of musicals, and, while many look down on this genre (quite rightly, in my opinion), that is not to say that everything that comes from it is rubbish.

It depends on how you are measuring it - but you don't qualify any of your statements, which drags them down several levels of significance.


    

Edited by Certif1ed - November 23 2006 at 03:58
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Direct Link To This Post Posted: April 21 2007 at 06:41
Originally posted by Empathy Empathy wrote:

This is what Waters' issue with ALW is really about... scroll to the bottom. 


Was going to mention that. I recognise the similarity, but that particular line is a simple chromatic run down and back up again so I'm willing to give the benefit of the doubt. Funnily the Phantom Overture is the only thing of ALW's I don't dislike.
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Direct Link To This Post Posted: April 21 2007 at 06:53
If Waters sued everybody who'd ever borrowed from Pink Floyd's back catalogue, he'd be a very wealthy man - and the world would be down a large number of very good bands - notably in the Krautrock genre.
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Direct Link To This Post Posted: April 21 2007 at 07:13
have you ever listened to the first original recording of "Jesus Christ Superstar", featuring Ian Gillan and John Gustafson? I know that most musicals fall out of the borders of prog rock, but some of them show a real prog attitude, and JCS is one of them. Mr Roger Waters hates A. L. Webber? WHO CARES!!!!!!!????? (By the way, it seems that Leonardo and Michael Angelo hated each other. Would you question they were both genius?)
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Direct Link To This Post Posted: April 26 2007 at 03:05
^JCS is the first proper rock opera, and the version with Gillan playing Jesus is the best, IMO - it sounds more like a Prog Rock album than it sounds like a musical or an opera.
 
By contrast, Tommy and SF Sorrow are just sets of songs that happen to tell a story - Singspeil, I believe it's known as.
 
JCS has recitative, aria, multi-part singing (where each character sings their own part against another's equally distinguishable part - not mere harmonisation), a twisted and unlikely plot, love intrigue, death - in other words, everything an opera should have! LOL


Edited by Certif1ed - April 26 2007 at 03:07
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Direct Link To This Post Posted: April 26 2007 at 06:41
Originally posted by Certif1ed Certif1ed wrote:

^JCS is the first proper rock opera, and the version with Gillan playing Jesus is the best, IMO - it sounds more like a Prog Rock album than it sounds like a musical or an opera.
 
By contrast, Tommy and SF Sorrow are just sets of songs that happen to tell a story - Singspeil, I believe it's known as.
 
JCS has recitative, aria, multi-part singing (where each character sings their own part against another's equally distinguishable part - not mere harmonisation), a twisted and unlikely plot, love intrigue, death - in other words, everything an opera should have! LOL
 
Mark, please, forgive me for this rush of national pride... The first real rock opera was "Orfeo 9" by Tito Schipa jr. Despite being issued as an album only in 1973, it was first performed in Rome in January 1970.
For the rest, I agree. I'm a huge fan of JCS! "Then when we retire we can write the Gospels so they'll still talk about us when we die" - interesting interpretation!
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Direct Link To This Post Posted: April 26 2007 at 11:30
I must confess, I don't know that one...
 
To regain a little of my own national pride, Joseph and The Amazing Technicolour Dreamcoat was the very first - although in reality a rock musical - the First Performance of that was in 1968.
 
However, the musical itself is not much to take pride in, and I note that Tito Schipa Jr produced a show based on Dylan songs called The Beat Opera in 1967.
 
Joseph was actually Lloyd Webber's second musical - the first was composed in 1965 - and JCS was originally released as an album in 1970...
 
The barrel now well and truly scraped, I'll go see if I can find a copy of Orfeo 9, as the Internet seems pretty short on information...  Big%20smile
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Direct Link To This Post Posted: April 26 2007 at 12:11
Originally posted by Empathy Empathy wrote:

This is what Waters' issue with ALW is really about... scroll to the bottom. 
 
That never occurred to me before... Um, well, they are the same notes Shocked , but the question if Webber had copied Pink Floyd... it seems like one of those riffs that more people can invent, apart from each other, without necessarily stealing from each other. But I'm not sure, Roger could be right, and if that's the case, I can understand his anger.
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Direct Link To This Post Posted: April 27 2007 at 08:28

Roger Waters is right on this, I also noticed this plagiaris some time ago,and I wondered whether any legal action was taken because  of it.

Phantom... is horrible IMHO BTW.
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Direct Link To This Post Posted: May 02 2007 at 20:09
is the 3rd richest music person in the U.K. . The rest are just innuendo & falsehoods spread by those who know the truth. Which is that Webber has X talent (fill in your own value)Big%20smile


Edited by debrewguy - May 02 2007 at 20:46
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